A Quote by Ted Dekker

I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
I don't know if it's a sadistic side or whatever, but you take characters and put them in really awful situations and make them go through that. And it's very satisfying as a director to explore that, to tell those stories and to explore those themes, because it is so human.
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
Even happy situations can easily start to feel miserable. So, I think that people who consider themselves sophisticated or who are in fact sophisticated have come to distrust stories that are uplifting or simply stories in which the characters get what they want in the end. Because in life, what you want is never the end.
For me, it's a voyage of self-discovery. I'm able to go on a set and to explore situations, personalities, people and characters that are close to me, or maybe not. Through going there and experiencing these different people and their situations, it helps me to get oriented and develop as a human being. So, acting is fundamental to who I am.
In life and in movies, it's a similar challenge, where you have expectations, and you end up in situations that are not meeting your expectations.
Avoid People and Situations That Upset You. Those things, people, situations, and experiences you dont like--avoid them. Stay away. Walk away. Do something else. Some might call this cowardly. I call it smart. The world is brimming with things, people, and experiences. We will never experience all of them if we live to be 10,000. So why not associate with the ones that naturally please you?
There are a million little things, but one of the best ways to get to know characters is to just put them in situations and see what they say.
The way people respond to struggles or express their feelings in difficult situations are very different. I like imagining how characters would react in certain situations.
You're in good spirits when you create and produce great music. All situations inspire music in different ways, man, from good situations, bad situations, depression, falling in love, falling out of love. I've been going through all those type of things.
My whole background as a social worker has allowed me to understand human behavior in difficult situations. Working in Kenya, I see the most desperate situations - things I could never believe possible - and then have to try to find solutions.
I don't find the characters I've played funny. The characters are actually taking their situations very seriously.
Eurobonds are absolutely wrong. In order to bring about common interest rates, you need similar competitiveness levels, similar budget situations. You don't get them by collectivizing debts.
I can't write a joke. I could never write. I do a lot of stories and I call them stories, but they're just comedy recitals on a given subject.
I'm not ritualistic about writing. I try to write as often as possible, which means that I have to be able to write in all kinds of situations, whether it's at home on my couch, out at a cafe, or traveling.
When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century.
Culture is an abstraction; it cannot actually be seen or touched.... We see people acting in agreed-upon ways in the face of similar situations...we notice people moving their bodies in certain ways - making choices in their lives about where to live, what to eat, how to learn, how to work and love - in response to similar events and experiences, and say: "oh, these people belong to the same culture".
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