A Quote by Ted DiBiase Sr.
Bobby Heenan to me, he was the best. Of all the guys that have been managers that can pick up a microphone and talk, he was a natural and so good. His character like mine was so hated, it was like a little weasel.
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I want to see someone like Bobby 'The Brain' jumping around in his weasel suit with the rhinestones. Guys who are animated like that make the best translation to TV and to videogames.
As long as I can get Bobby Heenan in my corner, then I'm a happy man because, to me, Bobby Heenan is one of the most underrated performers of all time. He's in my top five of all time performers because I don't think people realize just how good he was.
Certainly as a kid, I grew up with Batman, Superman, whoever - they didn't need to be black for me to relate to them. But when a character like Cyborg came along, I got excited, because he looked a little bit more like me; his experiences were a little bit more like mine.
I've worked with all these guys, Jim Ross, Mr. Fuji, Nick Bockwinkel, Bobby Heenan.
Bobby is the Aaron Rodgers of managers in professional wrestling - Rodgers works magic on the professional football field, but Bobby Heenan did the same thing in a wrestling ring, in a television studio, on a radio program, and he could do the same thing in a newspaper layout. He was a great communicator, and he knew how to generate heat with fans.
There's ten of us, we've been best friends for thirty years. Ten guys. And their wives, and their kids, are all family now. I'm not big on keeping up on the phone, none of us are. Some guys I won't talk to for two months and then you pick up the phone and hear, "So, anyway." There's no guilt or where have you been? or what's been going on? or why haven't we talked? There's an ease to it.
When he talked his eyes went away from mine and then he forced himself to look straight at me and he began to explain and I knew that he felt very strange with me and that he hated me, and it was funny sitting there and talking like that, knowing he hated me.
I have always been amazed guys read my books and seem to enjoy them. Because I've raised boys, I like to think I can get inside a guy's mind. I try and make the boys talk like guys, sound like guys and react like guys.
Bobby Bones is a young country DJ who does a widely syndicated morning show. He's at his best with his BobbyCast, in which he talks to Nashville up-and-comers such as Kelsea Ballerini and Lauren Alaina. Guests are encouraged to relax on Bones's couch and talk about anything they like.
I hated going to the mall, I hated shopping, I hated pool parties. It was just the little things that made me realize, like, maybe I am a little different than everyone.
I always pick characters where it's not his muscles or dance skills that help him, because not all of us can look like that. I am more like someone who'd beat up ten guys, not with his muscles, but his strategy.
When you're watching from the bench, you can pick up on everything - where guys like to shoot the ball from, how teams defend the pick-and-roll, which big men are good at hedging the screen and so on.
When I heard 'Dookie' by Green Day for the first time, it unlocked something in me, like, it's totally okay that I'm a little bit weird because these guys are a little bit weird. It made me want to pick up an instrument and do that.
Just like I'm the king on the microphone, so is Dr. J and Moses Malone
I like slam dunks, take me to the hoop my favorite play is the alley-oop
I like the pick-and-roll, I like the give-and-go
Cause it's basketball, uh, Mister Kurtis Blow.
I like to keep people around me like the guys I have on the road with me, three of them were childhood friends of mine when I was growing up in Scotland. They don't look at me any different than when we were in primary school. So it's good to keep people like that around you. I think if you surround yourself with good honest people, they will tell you what to hear when you need to hear it.
I try to discover the character's primary motivation. In a screenplay, you can make up a hundred different variables of a character. Is he there for love or respect, or is he there out of fear? What's he doing? Why is he doing it? Then I can build on the intricacies. Does he pick his fingernails? Does he always do this when he's lying? All the little things that come with it. But it's also like, if you're doing a caricature and you're like, "I want to do a blue-collar guy from Jersey," you have to go and do the research on the region, the who, what and why.
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