A Quote by Ted DiBiase Sr.

When I first went to Georgia Championship Wrestling, the promoter at the time Jim Barnett brought in Robert Fuller, who later became Colonel Rob Parker in WCW, as the booker. Everybody has their own style and way of doing things, and I was just not impressed with Robert Fuller. As a booker. As a talent he was fine.
I became a member of the faculty at Northwestern University in 1965 but did not complete my thesis until two years later at a graduate ceremony at which Carnegie Institute of Technology became Carnegie-Mellon University. At Northwestern, I was mentored by the 'three Bobs:' Robert Eisner, Robert Strotz and Robert Clower.
I started in 1989. I was the booker, the promoter, the headliner. I wore all the hats.
I grew up watching Marlon Brando, Christopher Walken, Robert de Niro, and Al Pacino and even Robert Duvall and was impressed by their caliber of work.
[On being a judge for the 1986 Booker Prize:] I got to the point where I couldn't read a laundry list without considering it for the Booker Prize.
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are "Fuller-esque," as one might say, which makes them stand apart from any other director's films.
Not everybody has that mentality and that's fine, but once Robert Redford leaves this earth - later rather than sooner - his legacy will go on.
I love 'Jaws,' and I think Robert Shaw's performance in 'Jaws' is one of the best screen performances of all time. I am a massive Robert Shaw fan. I think he's a brilliant, brilliant talent and we lost him way before his time.
How is it that the poets have said so many fine things about our first love, so few about our later love? Are their first poems their best? or are not those the best which come from their fuller thought, their larger experience, their deeper-rooted affections? The boy's flute-like voice has its own spring charm; but the man should yield a richer, deeper music.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
Booker T, Diamond Dallas Page, myself, and even Bill Goldberg, for crying out loud, main-eventing Wrestlemania. That is WCW's legacy.
The more experiences you can have as an individual makes you a fuller person and a fuller actor.
I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.
One of the things that I love about Robert Altman's movies is that, really, a Robert Altman movie is just a bunch of short films about various people told at the same time.
I loved cowboy films and TV series, and I learned bits of English from them. My favorite was 'Laramie', with Robert Fuller and John Smith. I used to watch 'The Lone Ranger', which had been famous in Japan as well. I idolized these cowboys.
Throughout my whole time in wrestling on the road, going out and being around some of the whitest people in the world, I've never had any problems with anybody. It was never black or white. Booker T was just a wrestler. I did that by design.
I think what Robert Redford established is amazing; thank god for Robert Redford. He's set an amazing example with Sundance and I hope to follow that in my own way.
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