A Quote by Ted DiBiase Sr.
There's people that have labored and labored and it takes them a long time before they get that break and then they get it. Then sometimes, I've seen guys with a lot of talent never get it. It's the nature of the beast.
Related Quotes
If you're a guy, you should get girls flowers all the time. They never get old and you can never get them enough. I'm never disappointed when I get flowers. I always thought guys who don't buy women flowers are such fools. All it takes is one. A little goes a long way with flowers.
People don't understand how long it really takes to find beats. Sometimes they're not all the way there, but it's elements in them I love. Then I get to take them to get chopped up. Ye got to cook over a few of them.
I've seen young guys break down in those situations. They're cruising along, playing great, then their minutes get funky and they fall apart. Some of them never recover.
I get a lot of butterflies at auditions because I get so scared. It's scary because you've never met the people before. You have to meet them, and you have to hurry up and get to know them in five seconds. And then, you have to spill your emotions out to these strangers. It's funny.
We have three kinds of guys on our team. We have guys that get it; they play good; they understand how to play winning football. We have some guys that are trying to get it, and they are working hard every day? We are supporting them, and we want the guys that have it to support them. Then we have some guys that don't get it and don't know that they don't get it. We are trying to replace them. We only have a couple left.
What's funny is that by the time everyone plays the game - you know, we finish it, and then it takes a long time to make copies and ship it and get on the shelves - we probably haven't worked on it for a month, two months. So, we've already taken our break, and then we're on to the next thing.
I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.
So it's a dangerous thing and conversely, the other thing I mentioned in that post was that people see guys who are kind of in touch with that and become famous for it and then think maybe they can get in on it. Maybe they're not quite as cynical as that and there's some sincerity about them, but they don't really get it so they just imitate what they've seen from people who've done it before and of course you can make big money that way.
I hung out a lot with the ring crew guys. I got along better with them then I did the other guys, the other talent. The guys that show up early in the morning and set the ring up and stay there all day and then take the ring down and drive five and six hours that night to get to the next show.
Most sound people don't get the assignment to create worlds of sound and get freedom to try a lot of things and then get the scrutiny and support of the team over a long period of time.
A really good picture looks as if it's happened at once. It's an immediate image. For my own work, when a picture looks labored and overworked, and you can read in it as well - she did this and then she did that; there is something in it that has not got to do with beautiful art to me. And I usually throw these out, though I think very often it takes ten of those over-labored efforts to produce one really beautiful wrist motion that is synchronized with your head and heart, and you have it, and therefore it looks as if it were born in a minute.
I'm a pretty easygoing guy. I'm not hard to get along with. I never had anybody that I had trouble with. On the other team, sometimes you don't like players because of the way they act, but then you get to know them and then they're very good people. But I never disliked anybody.
As a doc, though, I've seen what happens when people are under a lot of stress. Doesn't always bring out their best. When people are scared, they get angry. They'll do things they never thought they would. They'll bargain and compromise in order to survive; they'll chase after miracle cures and believe just about anything so long as it gives them hope. When hope fails, then watch out. Some people get brutal. They'll turn on each other; they'll become their own worst enemies.
It takes a lot of time to be a good junkie or alcoholic - you spend hours getting the necessary supplies, then imbibing, then recovering, rinse and repeat. That's like eighteen hours of a day. And assuming you get out of that lifestyle before it macerates your heart, you have that Junkie Tunnel Vision, except now you get to use it for something positive: you know how to work tirelessly for one thing. Instead of using that tunnel vision to get high, I use it to make art.
Sometimes you read five, six, seven times for a role, and you meet new people every time, and you just keep climbing that ladder, and then it never goes anywhere. And then sometimes you just read once, and then you get it!
When people are ready to, they change. They never do it before then, and sometimes they die before they get around to it. You can't make them change if they don't want to, just like when they do want to, you can't stop them.
Related Authors
Adam Cole Quotes
American
Wrestler
Bill Goldberg Quotes
American
Wrestler
Bobby Lashley Quotes
American
Wrestler
Bret Hart Quotes
Canadian
Wrestler
Chris Jericho Quotes
Canadian
Wrestler
Daniel Bryan Quotes
American
Wrestler
Dean Ambrose Quotes
American
Wrestler
Diamond Dallas Page Quotes
American
Wrestler
Dolph Ziggler Quotes
American
Wrestler
Gail Kim Quotes
Canadian
Wrestler
Jeff Hardy Quotes
American
Wrestler
Matt Hardy Quotes
American
Wrestler
Randy Orton Quotes
American
Wrestler
Seth Rollins Quotes
American
Wrestler
Shawn Michaels Quotes
American
Wrestler
The Miz Quotes
American
Wrestler