A Quote by Ted Hendricks
I guess Madden had seen everything with out group, and everybody else had seen everything. (After coming to practice field riding a horse and wearing a German WWI helmet painted silver and black)
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I wish everybody had the drive he (Joe DiMaggio) had. He never did anything wrong on the field. I'd never seen him dive for a ball, everything was a chest-high catch, and he never walked off the field.
A weird sort of awareness set in, like, 'Wow. My standup isn't just separate from everything else I do anymore.' With Twitter and Face book, everything is universal that everything everybody says gets seen.
It's a different mindset. Coming from where I come from, we always had to defeat the odds. We didn't have what other people had. We had to work twice as hard for everything. To be noticed to be seen. Even back then it drove me to be the best that I can be. I wanted everyone to know I was somebody you had to watch.
A weird sort of awareness set in, like, 'Wow. My stand-up isn't just separate from everything else I do anymore.' With Twitter and Face book, everything is universal that everything everybody says gets seen.
I do not think I had ever seen a nastier-looking man. Under the black hat, when I had first seen them, the eyes had been those of an unsuccessful rapist.
To my child's eyes, which had seen nothing else, Shanghai was a waking dream where everything I could imagine had already been taken to its extreme.
I have the strangest time to get cast in anything. 'Ghost' was the same thing. Six months I had to wait for them to decide they had seen everybody possible. Why not? What limits me? I'm black? Oh, am I black?
I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.
More people saw me in 'Love Actually' than had seen me in everything else I had ever done up to that point.
I took to wearing a black tie known as the Ascot, with long drooping ends. I had seen pictures of painters, sculptors, poets, wearing this style of tie.
Thinking about the things that happened, I don't know any other ball player would could have done what he (Jackie Robinson) did. To be able to hit with everybody yelling at him. He had to block all that out, block out everything but this ball that is coming in at a hundred miles an hour and he's got a split second to make up his mind if it's in or out or down or coming at his head, a split second to swing. To do what he did has got to be the most tremendous thing I've ever seen in sports.
You'd have thought that after suffering such a loss nothing else would matter to her but that didn't seem to be how it worked. She was fearful about everything now. It was as if she had finally seen the awful power of fate, it's deviousness, the way it could wipe out in an instant the one thing you had been certain you could rely on, and now she was constantly looking over her shoulder, trying to work out where the next blow might fall.
For me, Katrina was my first trip back to the United States, but the most important thing, it showed everything that I had seen in other places. As I've said before, it looked like a bomb had hit a lot of places. I'd never seen such force, and it was Mother Nature.
The only thing that is different from one time to another is what is seen and what is seen depends upon how everybody is doing everything.
If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.
I've been everywhere in the world, seen everything, had everything a man can have.
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