A Quote by Ted Hughes

The progress of any writer is marked by those moments when he manages to outwit his own inner police system. — © Ted Hughes
The progress of any writer is marked by those moments when he manages to outwit his own inner police system.
The writer must be a participant in the scene... like a film director who writes his own scripts, does his own camera work, and somehow manages to film himself in action, as the protagonist or at least the main character.
Any artist manages his own business along with his manager. Every band should.
Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
Man is more than his environment. It is from the innate quality of the Spirit in him, his inner storehouse, that he draws those ideas, his intuitions, which unify his perceptions of the external world instantaneously with a value which is qualitative and not quantitative, and which he embodies in the works of his culture - those achievements which belong not only to one particular time but to all times, and mark the path of his upward progress.
The writer can only explore the inner space of his characters by perceptively navigating his own.
The ingenuity of the average worker is sufficient to outwit any system of controls devised by management.
Putin needs to terrorize his own elite. He is more afraid of those in his own surroundings than any protests; there are people there who are at least as critical as I am because they see up close that the system doesn't work. He wants to silence them.
The moral duty of the free writer is to begin his work at home: to be a critic of his own community, his own country, his own government, his own culture. The more freedom the writer possesses, the greater the moral obligation to play the role of critic.
The skeptic says that the believer has lost his own mind under God. On the contrary, it is the people who follow God who are most like his children, who willingly and consciously walk in his will; but those who oppose him oppose him vainly and at their own expense, and, figuratively, seem to be more like his tools. They don't diminish his glory, but instead he still manages to use them in ways of unconsciously carrying out his will.
As in the fine arts, the progress of mankind from barbarism to civilisation is marked by a gradual succession of triumphs over the rude materialities of nature, so in the art of cookery is the progress gradual from the earliest and simplest modes, to those of the most complicated and refined.
There are moments of high mood, there are moments of low mood, there are moments of injury, there are moments of strength, there are moments of progress, there are moments of stagnation. All we can do is keep on pushing.
It takes a man of genius to travel in his own country, in his native village; to make any progress between his door and his gate.
Exposing police lying is difficult largely because it is rare for the police to admit their own lies or to acknowledge the lies of other officers. This reluctance derives partly from the code of silence that governs police practice and from the ways in which the system of mass incarceration is structured to reward dishonesty.
The first theft marked Buck as fit to survive in the hostile Northland environment. It marked his adaptability, his capacity to adjust himself to changing conditions, the lack of which would have meant swift and terrible death. It marked, further, the decay or going to pieces of his moral nature, a vain thing and a handicap in the ruthless struggle for existence.
Mickey's a nice fellow who never does anyone any harm, who gets into scrapes through no fault of his own but always manages to come up grinning.
True hospitality is marked by an open response to the dignity of each and every person. Henri Nouwen has described it as receiving the stranger on his own terms, and asserts that it can be offered only by those who 'have found the center of their lives in their own hearts'.
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