A Quote by Ted Lange

Artists should always think of themselves as cosmic instruments for storytelling. — © Ted Lange
Artists should always think of themselves as cosmic instruments for storytelling.
I think artists should define themselves. They should speak about their work and how it relates to society and what's going on in the world.
I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
Artists should never think of themselves as an idol. Fame is a side effect of one's work.
There are some lawyers who think of themselves as basically instruments of whoever their clients are, and they pride themselves on their professional craft.
There are some lawyers who think of themselves as basically instruments of whoever their clients are, and they pride themselves on their professional craft
Drummers shouldn't just think of themselves as drummers. If you're going to be a musician, you should expand your horizons, compose things, and work with other instruments.
I think music should be free. I think all communication should be free. I think people should respect artists, and there should be a certain respect for artists who give their music away for free. If your music winds up on Napster and you approve of it, then the person downloading your music should at least go to your concert, should at least purchase your songs.
Actually, I don't think there's anyone that represents the artists, except the artists themselves.
I admire the artists that work everyday to attest things for themselves... In the act of transforming the objects of the everyday they transform the passage of time and analyze the economics and politics of the instruments of living.
I always hope that young people will think for themselves and also most importantly, understand that they should judge themselves on their own merit, their good deeds, however simple, to not judge themselves by what they have materially, by what other people think of them, through social media.
When I think of artists I love, like J. Cole, it's the storytelling that grabs me. I want to be honest with my music.
I think music should be free. I think all communication should be free. I think people should respect artists, and there should be a certain respect for artists who give their music away for free.
Growing up, my parents always played artists like Alanis Morissette, Aerosmith and Michael Jackson, so I just grew to love their music. And I just love so many diverse artists for different reasons; some for their instruments, some for their edge, some for their vocals.
The artists always reflect the times, so there's a lot to think about, a lot of unknowns, a lot of things that are describable. This is the closest I've seen to the kind of ambience that made the '60s happen. It's not about the artist having a responsibility to do anything. They have to be artists and express themselves and everything will work out fine.
I've always felt that most jazz artists don't need producers .. most jazz artists know what kind of sound they want. They don't need a producer to come in there and tell them, "Oh, I think you should do this." I've always found it very strange that there's been such a thing as producers in jazz.
Batty as it sounds, subject and style may choose artists, through some unfathomable cosmic means. How else to explain that even artists who enjoy what they do can be perplexed or even horrified that they're doing it?
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