A Quote by Ted Lieu
When I wake up, I'll read something and I'll feel angry. And then I'll calm down a little bit. I'll think about it. And then I'll tweet something that talks about the issue, and if I can inject some satire and humor, I'll try to do that.
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If I am angry, I am angry. If I am angry, then I have to be calm, and to be calm, I have to tell you to your face what I think about you. If we don't agree, then okay, 'Bye!' It's no problem.
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
You write something and there’s no reality to it. You can’t inject it with any kind of reality. You have to be patient and keep going, and then, one day, you can feel something signaling to you from the innermost recesses. Like a little person trapped under the rubble of an earthquake. And very, very, very slowly you find your way toward the little bit of living impulse.
I tell the truth and I don't try to sugarcoat things. But I also decided that if you don't use humor or satire, then it's just too dark all the time. And one of my favorite literary works is A Modest Proposal by Jonathan Swift. As you know, that was an enormously famous satire piece that was able to point out, you know, things to people in a different way. And I do believe that satire and humor can reveal truth in a way that sometimes doesn't get revealed through other means. And so I decided to, every now and then, use satire and humor as well.
I think you can learn a lot about a guy from the way that he talks to you and the way that he compliments you. If he's complimenting you when you're just walking down the street and it's something completely pure and of the moment, then that's something you can take to heart.
It got to the point where I would wake up at 6 A.M. and go on my phone and tweet something and have it be really good and get lots of retweets... and then I would wake up, because it was actually a dream; I would wake up with my hand holding nothing - an air phone.
I try to write every day. I don't beat myself up about word counts, or how many hours are ticking by on the clock before I'm allowed to go and do something else. I just try to keep a hand in and work every single day, even if there are other demands or I'm on a book tour or have the flu or something, because then I keep my unconscious engaged with the book. Then I'm always a little bit writing, no matter what else I'm doing.
Unless I'm a little bit scared about something, I'm genuinely not actually entirely happy. I feel I need to be just that little bit outside my comfort zone, and then I can really surprise myself and stretch myself, and I think that's a really good thing for any actor.
If I want to read something that's really giving me something serious and fundamental to think about, about the human condition, if you like, or what we're all doing here, or what's going on, then I'd rather read something by a scientist in the life sciences, like Richard Dawkins, for instance.
Humor is a bit like Mary Poppins' sugar-it helps the medicine go down. A little bit of humor allows people to think about very difficult subjects.
I dabbled a little bit in acting in high school, and then I forgot about it completely. And then at about 25 I went to a class. I don't think anybody in my family thought it was an intelligent choice. I don't think anybody thought I'd succeed, which is understandable. I think they were just happy that I was doing something.
I feel like if you read something, and it makes you so curious about a topic that you then go read something else, that's exciting.
I dabbled a little bit in acting in high school and then I forgot about it completely. And then at about twenty-five I went to a class. I don't think anybody in my family thought it was an intelligent choice. I don't think anybody thought I'd succeed, which is understandable. I think they were just happy that I was doing something.
I think that you are what you speak a lot of times, and there's power in the tongue. I feel sorry for the people who always have something negative to say. If something happens bad in my day, I don't tweet about it - I pray about it, or talk to my husband about it or my mother about it, and get it off of me and move on.
When faced with something complex, spend the time to think about some structure, write down sentences, think about it some more, and then share it.
A lot of kind of like the way that Andy [Bernard] talks, you know, the writers pick up on those things - little moments that I inject and then they start to write it in later. It's hard to say if a whole storyline is spun out of an improv. I feel like it has happened on The Office, I just can't think of it.
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