A Quote by Ted Nelson
Let me introduce the word 'hypertext' to mean a body of written or pictorial material interconnected in such a complex way that it could not conveniently be presented or represented on paper.
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No-one who has a real understanding of the art of painting attaches any importance to what we call the subject of a picture - what is represented. To one who feels the language of pictorial form, all depends on how it is presented, nothing on what.
He found whole figures which represented a written word; but he never could manage to represent just the word he wanted - that word was 'eternity', and the Snow Queen had said, "If you can discover that figure, you shall be your own master, and I will make you a present of the whole world and a pair of new skates." But he could not find it out.
What is hypertext? It is a method of giving a text more depth, structuring it, and letting the computer help you explore it. Links, like we know today - you see some blue underlined word and you click on it and it takes you somewhere else. That's the simplest definition of hypertext.
I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.
When I say 'publishing is the new literacy,' I don't mean there's no role for curation, for improving material, for editing material, for fact-checking material. I mean literally, the act of putting something out in public used to be reserved in the same way.
The Bible is the written word of God, and because it is written it is confined and limited by the necessities of ink and paper and leather. The Voice of God, however, is alive and free as the sovereign God is free. 'The words that I speak unto you, they are spirit, and they are life.' The life is in the speaking words. God's word in the Bible can have power only because it corresponds to God's Word in the universe. It is the present Voice which makes the written word powerful. Otherwise it would lie locked in slumber within the covers of a book.
Hypertext, as Nelson [Ted Nelson] originally wrote, is interlinked reading and writing. Links make hypertext.
My character on 'Voyager,' because of the way he was presented, I could go either way. I could be a real buffoon, a windbag, be self-involved, and we could get a lot of comic mileage from him. However, the audience accepted me with gravity when I was in a dire situation, so they would follow me in comic or dramatic stories.
Before one is successful that is before any one is ready to pay money for anything you do then you are certain that every word you have written is an important word to have written and that any word you have written is as important as any other word and you keep everything you have written with great care.
Cutting for Stone is nothing short of masterful -a riveting tale of love, medicine, and the complex dynamic of twin brothers. It is beautifully conceived and written. The settings are wonderfully pictorial. There is no doubt in my mind that Cutting for Stone will endure in the permanent literature of our time.
I realized both the upper and lower body must be held securely in place with one strap across the chest and one across the hips. The belt also needed an immovable anchorage point for the buckle as far down beside the occupant's hip, so it could hold the body properly during a collision. It was just a matter of finding a solution that was simple, effective and could be put on conveniently with one hand.
'The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative.
The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative.
I am out to introduce a psychic shock into my painting, one that is always motivated by pictorial reasoning: that is to say, a fourth dimension.
So much of a novelist's writing, as I have said, takes place in the unconscious: in those depths the last word is written before the first word appears on the paper. We remember details of our story, we do not invent them.
Hypertext makes a virtue out of lack of organization, allowing ideas and thoughts to be juxtaposed at will. [...] The advent of hypertext is apt to make writing much more difficult, not easier. Good writing, that is.
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