A Quote by Ted Nugent

Those original, black, spirited, defiant, rebellious musical masters. Chuck Berry was one of the first masters of Les Paul's new electric guitar; he pretty much laid down the gauntlet, and I don't think anybody's ever beat him since. Way before the British Invasion, I was tuned into the black guys that created the British Invasion. Without Howlin' Wolf, Muddy Waters, Robert Johnson, Lightnin' Hopkins, Bo Diddley, Chuck Berry and the Motown hits, there would be no Beatles.
The best musicians in the world were raised on the same kind of music I was raised on and that is black, soulful, authoritative, ultra-tight, ferocious, uppity, defiant music that from the Howlin' Wolf, the Muddy Waters, the Lightnin' Hopkins, the Chuck Berry, Bo Diddley, and Little Richard.
I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."
Isn't my music the last of the real rhythm and blues? Isn't it great? It's because of my musicians, we were weaned on Muddy Waters, Howlin' Wolf, Bo Diddley, Chuck Berry, Little Richard, Jerry Lee Lewis, all the founding fathers, the gods of thunder, who invented the foundation and the pulse of the greatest music in the world!
We would not have rock and roll without Chuck Berry, and when I first heard Chuck Berry, I fell in love with that music, and when I saw him, I changed my whole career trajectory that I was on as a kid.
Not to be mean about it, but some great rock and rollers, like Bo Diddley and Chuck Berry, are pretty one-dimensional.
There is a great book out called 'Everything I Needed to Learn I Learned in Kindergarten,' and I believe that everything I ever needed to learn on guitar was in my first two years of hungry learning: Scotty Moore, Hank Marvin, Chet Atkins, Lenny Breau, Chuck Berry and Bo Diddley.
When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.
And a lot of the technique and the little T-Bone phrases that define his style, Chuck Berry, when he rearranged the beat, they became rock 'n roll guitar licks. So in essence, T-Bone was not only the first electric blues guitar player, but he was the first electric rock 'n roll guitar player, really.
Everybody starts by imitating their heroes. For me it was Chuck Berry and Muddy Waters.
You could put Jerry Lee Lewis, Little Richard, Chuck Berry and Bo Diddley on one side of the stage, and James Brown on the other, and you wouldn't even notice the others were there!
There would be no Rock and Roll without Ike Turner, James Brown, Chuck Berry, Fats Domino, Allen Toussaint, etc. Fake ghetto books and fake ghetto music. Elvis Presley, whom they idol, is merely a karaoke makeover of James Brown and Chuck Berry.
I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me - it resonated.
When the fearsome foursome of rock music, Chuck Berry, Bo Diddley, Little Richard, and Jerry Lee Lewis, decided to show up in Toronto for a rock and roll festival, I knew we had to go there to try to get them all on film.
This is no condemnation of Chuck Berry, who I greatly admire. But Chuck Berry's music will not translate as well to orchestration because of its very three-chord rock 'n' roll nature. It is the music of the artists that are more pretentious, pompous or closer to the kind of big dramatic stylings that orchestras are good with.
Is there one blues guy who was the most sophisticated and influential, like Duke Ellington or Louis Armstrong in jazz? Was it Muddy Waters, Little Walter, Lightnin' Hopkins, John Lee Hooker, B.B. King, Robert Johnson, or all of them? I think you have to pick all of them.
You didn't know whether Chuck Berry was black or white - it was not a concern.
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