A Quote by Ted Sarandos
What if you could radically alter the way stories get told? What if the way people wanted to consume content actually changed what you could make?
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I wanted to be a writer, to write these stories that would make people see the world in a different way. But I ended up going to business school because I thought I could ultimately get to where I wanted to go faster that way.
Facts, at any rate, could not be kept hidden. They could be tracked down by inquiry, they could be squeezed out of you by torture. But if the object was not to stay alive but to stay human, what difference did it ultimately make? They could not alter your feelings, for that matter you could not alter them yourself, even if you wanted to. They could lay bare in the utmost detail everything that you had done or said or thought; but the inner heart, whose workings were mysterious even to yourself, remained impregnable.
There's so many ways to be a voice and that's what I'm figuring out. Being an artist, being an actor, it's about telling stories that could heal, that could open up discussion that could make the community better. There are many (Latino) stories that need to be told and haven't been told right. If I could help be that voice then that's what I'm going to do, because this is a reality for me.
A major loss by a Democratic prosecutor at the hands of the BLM movement could alter the political landscape in a way that might actually change the way prosecutors, and ultimately police departments, operate.
The last thing I ever wanted to get involved with is Hollywood. The way it works is that people get an idea you could possibly do something, but there's a one-in-a-hundred chance that it could get made.
It could be that people want to consume sculpture the way they consume paintings - through photographs... I'm interested in the experience of sculpture in the place where it resides.
I married him because he told me it was the only way he could protect me. If we were just manager and client, my family could do whatever they wanted to get me back, but if I was his wife, they couldn't.
My character on 'Voyager,' because of the way he was presented, I could go either way. I could be a real buffoon, a windbag, be self-involved, and we could get a lot of comic mileage from him. However, the audience accepted me with gravity when I was in a dire situation, so they would follow me in comic or dramatic stories.
People see owning a gallery as a way to get rich. I never thought that I could get rich in the art world. I wanted a life in art. I wanted to live with artists. I wanted to make beautiful shows.
I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
Ever since I can remember, I've always wanted to tell stories, but I never had the patience to sit down at a typewriter and write short stories or anything like that. I started writing songs as a way of communicating ideas the best way I could.
I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles.
I wanted to do an action-y thing, purely because I'm the least fit, healthy person in the world. I wanted to prove to myself that I could actually run and not get out of breath and collapse. I wanted to push myself, in that way.
The Maigret stories are all very different in terms of the content and the way that the stories are told. They're not what I would call formulaic.
I see a lot of people who have amazing stories but have been told that their work, their lives, and their stories and not the stuff of literature. Or they're first-generation college student, first-generation American, and their family just doesn't understand the art world. They have a lot of guilt. "We came all the way from [wherever] so you could do this?" Those people may not be showing the moxie, but that's because they don't even know what's possible. So I want to jump in and say, "Actually, your story is amazing, and I believe in you.".
I think people are curious at some level, and they want to alter their current state of being. I mean, that could be from curiosity, that could be from stress, that can be from some other sort of ailments or problem that they are experiencing or could just be from boredom, but humans have always attempted to alter their consciousness.
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