A Quote by Ted Sarandos

The major international appeal for 'House of Cards' was kind of a surprise because it's a very American show. What we learned is that American politics is very American, but greed and corruption and all of that is very global.
I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.
When you're talking with a person at this level of the government, at the very highest level, I think you have to be very discreet because he, President Clinton, is very aware that anything he says publicly can have a profound impact on American politics and on world politics.
It was very hard for me, for most of my life, to feel American, or call myself American, and that is a very complicated topic that would require a very long conversation.
But I believe that the DPKO at this time was very much involved with American administration and was acting, taking on consideration the demand or the recommendation of the American administration. American administration was very powerful.
There are very interesting books about these events, for instance one by a very well-known American historian named William R. Polk called Violent Politics. It's a record of what are basically guerrilla wars from the American Revolution right up through the wars in Afghanistan and Iraq.
The African-American tradition, in the main, is very, very church-based, very, very Christian. It accepts, you know, certain narratives about the world. I didn't really have that present in my house.
I think feminism has always been global. I think there's feminism everywhere throughout the world. I think, though, for Western feminism and for American feminism, it not so surprisingly continues to center Western feminism and American feminism. And I think the biggest hurdle American feminists have in terms of taking a more global approach is that too often when you hear American feminists talk about international feminism or women in other countries, it kind of goes along with this condescending point of view like we have to save the women of such-and-such country; we have to help them.
I'm American. Very American. Like, I-might-have-biscuits-and-sausage-gravy-for-dinner American.
But this is predicated upon the man's becoming in very fact an American and nothing but an American. If he tries to keep segregated with men of his own origin and separated from the rest of America, then he isn't doing his part as an American. There can be no divided allegiance here. . . We have room for but one language here, and that is the English language, for we intend to see that the crucible turns our people out as Americans, of American nationality, and not as dwellers in a polyglot boarding-house; and we have room for but one soul loyalty, and that is loyalty to the American people.
There is a very definite Russian heart in me; that never dies. I think you're born and you live your life with it and you die with it. I'm very much an American - my books tend to be about American things, but inside there's that sort of tortured, long-suffering, aching, constantly analysing Russian soul underneath the happy American exterior.
I think it's really hard to say now what makes a show kind of sink or swim, and what creates longevity. For instance, I think that Survivor is a very well produced show. It's very simple, it's very elemental, and I think it gets into big issues. I think American Idol has been an amazing show for many, many seasons.
Stephen Miller said, "Over time you would cut net migration in half, which polling shows is supported overwhelmingly by the American people in a very large number." This is why Donald Trump got elected. "It's a major promise to the American people to push for merit-based immigration reform that protects American workers, American taxpayers - protects the American economy - and prioritizes the needs of our citizens, our residents, and our workers. It's pro-America immigration", he said.
We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
I think my work is very American because I'm American. But I found that Europeans like uncertainty and doubt.
The Monica Lewinsky scandal was happening at the very time I was writing the West Wing pilot and it was hard, at least for Americans, to look at the White House and think of anything but a punch line. Plus a show about politics, a show that took place in Washington, had just never worked before in American television. So the show was delayed for a year.
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