A Quote by Ted Sarandos

David Fincher's work has all been incredibly well-received on Netflix, and Kevin Spacey's films have all worked on Netflix. — © Ted Sarandos
David Fincher's work has all been incredibly well-received on Netflix, and Kevin Spacey's films have all worked on Netflix.
The two things that got everyone's attention about the 'House of Cards' deal was the two-season commitment and David Fincher. After David Fincher directs a series for Netflix, no one else can say, 'Well, I'm not going to direct a series for the Internet.'
No one's ever going to make a PG-13 animated film unless David Fincher executive produces it and puts it out on Netflix, and then if it's a success everyone will change.
It's so amazing that you can give somebody like David Fincher 'House of Cards,' and he can do whatever he wants - Netflix doesn't say, 'Oh, you can't do that,' or, 'We need a subplot here about this.' It's pretty neat that it is allowing the creatives to be creative.
I'm not one of those people who only believe in the Netflix model. I go see films in the theater and love that experience and don't want it to ever die. But I like that Netflix exists, and you can discover so many different types of movies and TV and content you wouldn't have access to.
I have more faith in doing something creative for a cable station or something like Yahoo or Google or Amazon. What Netflix did with 'House of Cards' and David Fincher was brilliant. That is inspiring to me. I think there is more chance for creativity in animation, it just hasn't happened there yet.
I like a lot of good European films, good - anything really. I'm a big fan of Netflix and I get films from them all the time. If I hear about something that I don't know, that I haven't seen, forgot about, I immediately jot it down and add it to my Netflix list or if there's a film that's available that I haven't seen for many years, I get that.
Netflix represents, as well as all the streaming services, something that I've been talking about being so important to inclusive voices around films.
We were really into what Cliff Martinez did with 'Drive;' we were into what Trent Reznor and Atticus Ross were doing with David Fincher. When I read about how they worked with David Fincher, they're composing hours and hours of music and then he's working and figuring it out.
I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.'
The beauty of 'The OA' or 'Stranger Things' is that they are both made by Netflix for Netflix. And so there was a freedom all of a sudden that matched our intention.
Netflix is like sitting at the cool kids' table. Netflix is amazing. We're the biggest fans of not only working there but of the company in general.
Netflix is like sitting at the cool kids’ table. Netflix is amazing. We’re the biggest fans of not only working there, but of the company, in general.
People imagine that Netflix sprang fully formed into a global streaming giant, but Netflix might have been personalised sporting goods - or customised shampoo - or even pet food, since these were all ideas that I pitched Reed Hastings in those first months.
We need Netflix. We in the independent sector more than anybody need Netflix, because they care about what we do.
I watch my favorite shows-The Walking Dead, The Office, 30 Rock and Parks and Recreation-on Netflix to unwind. Actually, I eat most of my meals while watching Netflix. It's like my companion.
I guess people just like Netflix. And they like rom-coms, and I was fortunate enough to book two random ones that got sold to Netflix.
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