A Quote by Teddy Sears

The first role as "Fashion Show Guy" should not be on my IMDb anymore. That's the sort of thing you put on your IMDb when you have no credits and you really just want to have a line on your résumé. I had just gotten to New York and there was a massive open call for extras for Sex and the City. One of my college roommates' buddies - there was some connection - she worked in the office and saw my name in the massive stack of randoms just trying to be on the show, which was a big hit. She's like, "I know this dude. Let's throw him in there."
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
I had just been doing graffiti around New York and this real estate investor guy had walked through meat packing in New York and saw some of my graffiti. He was impressed and asked if I sold canvases. I really had not made any canvases of my graffiti work yet, but told him I could make one for him. He then commissioned me to make ten paintings and put on my first art show. Between the sold out show and the cops chasing after me it created a lot of media and I've been doing really well since then.
What’s your name?' she asked, and surprised herself. But for some reason, she wanted to know. Dean’s brother—he hadn’t been just some nameless Bad Guy Number Four. This vampire wasn’t,either. He had a name, a history, maybe even people who cared what happened to him. My name is none of your business,' he said, and continued to stare out the window, even though there was nothing but blurry brick out there. Can I call you None for short?
I was a senior in high school, and my mom saw on the news at work that they were having an open call in New York, and she thought it's for a musical, and maybe we should go and just sort of chalk it up to a new experience... And so, we did. We went.
Madonna was very cool. I thought she was really nice, really present, and she worked really, really hard... She didn't necessarily know our real names in real-life, because why should she? Who cares? Some of the cast were really offended, like, 'She doesn't even know my name!' I'm like, 'Who cares? Madonna's doing our show. It doesn't matter.'
I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds.
At first we didn't have a lot of access to New York City, but very quickly, I think people recognized if you were on the show that was a good thing. We always saw the show as a love letter to New York City.
My mum had me when she was just 18 and she worked three jobs, including bar tending, to put food on the table and she also went to night college. She worked really hard for us and I kept myself busy with football.
I think I was the first to show that a designer could be like a rock star, that people should love your fashion but also put your name together with your fashion.
I say it was like this accidental research that I did for eight years. I had no idea I was researching the role of my career. But yeah, and there was this one casting director named Allison Jones, and for five years she would call me in every year for a different TV show and she just really was a big supporter of mine.
I had seen Orange Is The New Black show on Netflix and the first thing that came to my mind was, "Why am I not on this show? It's just irritating me right now." So I made some phone calls and told them, "I want to be on your show." And they found a spot for me.
My first audition was an open call and I had no picture and no resume - that's how clueless I was. I just thought I could show up.
I consider myself the queen of pugs of New York City. I'm really into my dogs. Massive pugs, massive needlepoint, massive color!
I don't know who's running IMDB. It could be computers. I'd like to talk to someone from IMDB.
I love just seeing shots of New York inside of a fictional movie that are not controlled. I do not like shots with extras, I have to say. I don't mind extras in other scenes, but I love New York City streets just as they look. I don't even care if someone looks at the camera. It doesn't bother me.
I guess the first big name I worked with was Sissy Spacek, and that was really interesting just because she's so incredible and I learned so much from just watching her. But she's also so unassuming that I loved working with her. It wasn't like working with a star, it was Sissy. Not a big deal.
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