A Quote by Tejaswi Madivada
I'm not looking for any particular genre or role because I will pick up a role based on my mood and instinct.
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I don't think I've ever had a real desire to pick out any particular role - I just see what comes up.
My agent knows what I'm looking for. And I'm also looking for a new agent, too, so I'm putting it out there. Again, I'm not going to turn down every role, because there is no bad role, really. It's all what you bring to the role, but that traditional, 'Stand here and open a rope,' I'm not doing it.
I do my work to the best of my capacity. I don't pick a role looking at its length. I take up a film because I would like to see it.
I don't really approach any part in any particular way. I tend to get an instinct on the way I want to do it, depending on that role.
It has happened with me that I get a role of a cop for a film. Few directors typecast you if you do that particular role well. But, it is the actor who has to decide whether he fits in that role or not.
It was a fun film. I had a great time doing it. I was looking for a role just like that for my first movie role. I didn't want to have a starring role, because I wanted a chance to learn. I didn't want the whole thing riding on me.
I don't choose my projects based on genre, I choose them based on the role and whether or not I've tackled that yet, based on the director and such.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
The artist's role is to do what is honest for them. So if you're in New York and everyone is looking at the floor, you can look up. It's not your role to follow the others. It's your role to go to your centre and then reflect that, not just to be a mirror to what's happening.
There is no reason why EPA's role should ebb and flow based on a particular administration or a particular administrator.
I do like ensemble work. I would like to do a lead role, though. I didn't shy away from that.
I'm desperately looking for a lead role to do in a film, an independent film, and it just hasn't come my way yet. I'm desperately looking for that role that will put me in a lead category. Or a television series.
I don't really consider myself to be an actor of any particular style. My aim with every role I undertake is to be truthful and honest in that particular portrayal. I don't have a particular methodology from any one school of thought or training.
When I became a judge, I stopped being a practicing attorney. And that was a big change in role.The role of a practicing attorney is to achieve a desirable result for the client in the particular case at hand. But a judge can't think that way. A judge can't have any agenda, a judge can't have any preferred outcome in any particular case and a judge certainly doesn't have a client.
I will see 100 or 200 and I will take my time with them and I audition them for the two main roles. If I like what I see, but they're not exactly right for the role, I'll think well I have this other role that might work for them. Sometimes I will write a role for them because I want to work with them because they're so good.
I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
Growing up I had lots of role models. Looking back, my parents were my first role models.
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