A director like Ram Gopal Varma brings out a different dimension in your performance.
Both Ram Gopal Varma and Subhash Ghai are great directors and it was a great experience working with them.
Ram Gopal Varma is a most noteworthy talent and has given us some very valuable iconic films. I enjoy working with him.
Mel is a great director because he's not just a director, he's an actor, so he knows how to direct actors. I loved working with him. He's great as a director. He's so intelligent. He's generous. I really loved him.
Sudheer Varma is very easy going and very confident director. He knows exactly what he wants. He has a very good vision and knows how many shots he wants for a scene. He is super fast. He gives freedom for actors to try different things. The atmosphere on the sets was never serious. We had great fun working together.
When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
Very few people like Ram Gopal Varma offer you the opportunity to be pushed as an actress.
'Laila' is very interesting and like Ram Gopal Varma's 'Darna Mana Hai,' it is episodic in nature.
Ram Gopal Varma cannot have a genre at all. He creates genres.
I still can't believe I acted in Ram Gopal Varma's direction.
I loved working with Ram Gopal Varma in 'Bhoot.' Surprisingly, he remembered my earlier performances and narrated them to me frame by frame when we met for the first time.
Even bigger directors like Mani Ratnam and Ram Gopal Varma have faced flak, that doesn't mean they've shied away from filmmaking.
Ram Gopal Varma is a great filmmaker, but I don't know what satisfaction he gets from his tweets. I think he wakes up every day with an idea to play with someone's mind.
I'm not a great director or an auteur; I'm an ensemble director. I do think I can get wonderful performances out of actors.
My first film was Ram Gopal Varma's 'Company.' I was paid Rs 3 lakhs for it.
Any director who comes into a revival owes a great deal to the original director. If I know the backbone works, it gives me, as a director, much more freedom to bring something new to it or try something different.