A Quote by Teju Cole
The novelist can't successfully depict such horrifying reality. But she can, and must, try, to bear witness. There are many ways of doing this; the mode I prefer is indirect.
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In so many and such important ways, then, do the planets bear witness to the earth's mobility.
I am inexpressibly grateful that the Lord of my life has granted to me in such abundance these opportunities to take part in the life of his ecclesia and to bear witness to the Living Christ in so many places and in so many ways.
If a novelist tells you something she knows or thinks, and you believe her, that is not because either of you think she is God, but because she is doing her work - as a novelist.
We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation.
Nature has her own best mode of doing each thing, and she has somewhere told it plainly, if we will keep our eyes and ears open. If not, she will not be slow in undeceiving us, when we prefer our own way to hers.
What I believe is that people have many modes in which they can be. When we live in cities, the one we are in most of the time is the alert mode. The 'take control of things' mode, the 'be careful, watch out' mode, the 'speed' mode - the 'Red Bull' mode, actually. There's nothing wrong with it. It's all part of what we are.
I'm black. I'm gay. I'm culturally Christian. I am a walking target on so many levels, and it is horrifying and a cross that very, very many of us who look like me have to bear.
Hannah Storm in a horrifying, horrifying outfit today. She's got on red go-go boots and a catholic school plaid skirt ... way too short for somebody in her 40s or maybe early 50s by now...She's got on her typically very, very tight shirt. She looks like she has sausage casing wrapping around her upper body ... I know she's very good, and I'm not supposed to be critical of ESPN people, so I won't ... but Hannah Storm ... come on now! Stop! What are you doing? ... She's what I would call a Holden Caulfield fantasy at this point.
An actress reading a part for the first time tries many ways to say the same line before she settles into the one she believes suits the character and situation best. There's an aspect of the rehearsing actress about the girl on the verge of her teens. Playfully, she is starting to try out ways to be a grown-up person.
To be human you must bear witness to justice.
For the dead and the living, we must bear witness.
It's one of the things that looks good written down, but the reality is that you think about the pieces you're doing and try to bear in mind everyone in the audience.
There are many ways to be free. One of them is to transcend reality by imagination, as I try to do.
I kind of talk about songwriting in the sense that it's really not my job to try to state hard truths. I'm not out to say this is what truth is, this is what's false, this is reality, this is not reality. What I prefer is to try to create a space where truth can move.
As audiences, when we are exposed to oral history projects not only do we learn but in some ways we also bear witness to that which we have not experienced personally.
I think there are two ways to depict a family. One is what it's really like, and one is what the audience would like it to be. Between you and me, I think the second one is what I would prefer.
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