A Quote by Teju Cole
The content of Saul Leiter's photographs arrives on a sort of delay: it takes a moment after the first glance to know what the picture is about. You don't so much see the image as let it dissolve into your consciousness, like a tablet in a glass of water.
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If you've never met a student from the University of Chicago, I'll describe him to you. If you give him a glass of water, he says, 'This is a glass of water. But is it a glass of water? And if it is a glass of water, why is it a glass of water?' And eventually he dies of thirst.
But there is more to a fine photograph than information. We are also seeking to present an image that arouses the curiosity of the viewer or that, best of all, provokes the viewer to think-to ask a question or simply to gaze in thoughtful wonder. We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make. It is the kind of picture that makes you want to pick up your own camera again and go to work.
I had a moment when I first got on Supernatural when I was like, omg, people are paying attention to me and I have fans, maybe I should cultivate an image and like try to seem really cool. I had this sort of moment of being commercially self conscious, and it took me maybe a month to realize, no, this is just not fucking who I am... Here's a picture of me in drag, fuck it - which is, by the way, so much more liberating and relaxing... There's not a more surefire way to give a stifled boring empty vapid meaningless piece of interview. Everything that comes out of your mouth sucks if you're trying to say the right thing...
Spacewalking trumps everything. Viscerally, it is a phenomenal place to be; to be able to glance right and see the world, glance left and see the universe, and realise for a moment that you're holding on to your known existence with one hand. That's the thing.
At first glance, the story of the Lusitania doesn't seem like the sort of thing I would take on. I usually like ideas that are a little bit more complex, things that people don't know about - or maybe they once did, but now you bring it to life for them for the first time.
The strangest thing. I came to the end of other people so quickly. Each new person was like a glass of water, and at the beginning I was parched, but then each glass tasted a little worse, the water was grittier, and by the end even the first sip was enough to make me gag, you know?
What I am after is the first impression - I want to show all one sees on first entering the room - what my eye takes in at first glance.
If you see an image and it's just an image, and there's a bad link or no description, and you don't know what that image is, or who took it, or what it's a picture of, it's not a very satisfying or actionable experience.
Gravity pulls our bodily fluids down, like water in a glass goes to the bottom part of a glass. In space, the water doesn't stay in the bottom of the glass. It distributes itself evenly over time throughout the entire volume of the glass.
That was the Alka-Seltzer moment, the moment when the tablet hits the water and begins to fizz.
After long absence, of return / To my dear home - Oh, happiness! / To lie in blissful consciousness / Of all around: The picture there - / The books - the flower-glass filled with care / By a kind hand - And then to know, / 'Twas but to rise, and meet below / Such a heart's welcome!
You cannot have a healthy body without drinking a great deal of water. But remember, you can't just drink a glass of water and tell a glass of water to please go straight to your skin and moisturize your complexion. Water has to be there all the time, doing what it does naturally in a healthy body.
I have friends and illustrators who can't stand drawing on the Cintiq. [A graphic pad tablet used by digital animators] There's a certain tension and friction when you draw on paper that they miss. The tablet is very slick. It's like drawing on glass. But that didn't bother me at all.
The majority of the people I've taken photographs of, I've had conversations with. "What are your goals and aspirations?" "What are you about?" It's not just about me capturing the image; I want to know what you are about.
Think of your body like a car: a glass of water first thing in the morning is like starting your engine.
Statistically you take thousands of photographs of your first kid, and then with your second kidyou take about half of that. And then with your third kid, you, like, pawn off your first and second kids' photographs and tell them they're theirs.
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