A Quote by Teju Cole
When I write, I have a sort of secret kinship of readers in all countries who don't know each other but each of whom, when they read my book, feels at home in it. So I write for those readers. It's almost a sense of writing for a specific person, but it's a specific person who I don't know.
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I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.
A writer, or at least a poet, is always being asked by people who should know better: “Whom do you write for?” The question is, of course, a silly one, but I can give it a silly answer. Occasionally I come across a book which I feel has been written especially for me and for me only. Like a jealous lover I don’t want anybody else to hear of it. To have a million such readers, unaware of each other’s existence, to be read with passion and never talked about, is the daydream, surely, of every author.
My theory about writing is that one should write books you'd like to read, but no one else has written yet. So, as long as I stick with that, I'm entertaining myself, and then hopefully my readers as well. I hope to god I realize that I'm repeating myself, if I ever do. But if I don't, I'm sure my readers will let me know.
When I write, I don't translate for white readers.... Dostoevski wrote for a Russian audience, but we're able to read him. If I'm specific, and I don't overexplain, then anyone can overhear me.
A huge part of my writing process is listening to music as I write, almost creating an unofficial soundtrack to the film I'm working on, a sort of playlist. But the specific songs change rapidly as I write.
The first person you should think of pleasing, in writing a book, is yourself. If you can amuse yourself for the length of time it takes to write a book, the publisher and the readers can and will come later.
For me, as a writer, I desperately want to be read. I'm very conscious of readers as I'm writing. I think, 'If you write for yourself, then why don't you just keep it under the bed,' so I definitely write for other people.
I like to listen to music that fits with what I'm writing. For each book, I've assembled a playlist, so readers can get a sense of what I was listening to while I was writing.
The novelist in me is probably hiding behind all the stories I write, looking for ways to connect them and continue the conversation with readers. Maybe I'm writing one long narrative, and each book, however different from the last, is just a chapter.
I think the most important lesson isn't necessarily to try and write a different book every time, or to try and brand yourself and write one specific kind of book, but to write the kind of books you love to read.
When I do research, I cast my net very widely and then snatch what feels right out of that. Occasionally I'll read a specific book for a specific book, but usually I'm trying to increase my general understanding.
When I have been travelling around to speak in different countries, I am always offered help to write about the specific climate policies in specific countries. But that is not really necessary. Because the basic problem is the same everywhere.
Before writing, I start with a series of questions, specific things I need to know before I can write the book... That list grows and changes as I do more and more research. But when I've answered the bulk of the questions, I begin to write.
When you write about faith, people will be upset with you no matter what. I've heard from readers who were disgusted with the depiction of monotheistic religion. I've also heard from readers who were upset because my portrayal of faith did not adhere to their specific doctrines. Fortunately, I have high risk tolerance.
I made a decision to write for my readers, not to try to find more readers for my writing.
You write differently in each book. It may appear to be similar to readers, but you're a different writer in each book because you haven't approached that subject before. And every subject brings out a different prose strain in you. Fundamentally, yes, you're contained as one writer. But you have various voices. Like a good actor.
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