A Quote by Temple Grandin

Things like microphones are dangerous things because you never know when they might feedback and squeal. — © Temple Grandin
Things like microphones are dangerous things because you never know when they might feedback and squeal.
We like to categorize things into showy things and deep things, you know, and things that are high music - important music - and shallow music. And I think that's dangerous, because there's often a mix of both.
Now I don't care what people think. I did some internet campaign where I was the voice of a puppet for Ford Focus ads because they were paying me a lot of money to do it, it was a very easy gig, but then the bonus was, it turned out to be an enormous amount of fun. I've learned not to turn my nose up at things just because they're not what other people might consider cool to do. Because I've also matured enough to know, you never know where these things are going to lead, and you never know what the experience is going to be like.
Things like racism are institutionalized. You might not know any bigots. You feel like "well I don't hate black people so I'm not a racist," but you benefit from racism. Just by the merit, the color of your skin. The opportunities that you have, you're privileged in ways that you might not even realize because you haven't been deprived of certain things. We need to talk about these things in order for them to change.
I mean one of the weird things about TV and one of the things that some actors don't like but I kind of dig is that you never know where you're headed, I mean you never know what the writer might think of next.
I know the microphones and cameras are on me. They're looking at my gestures and taking it and running with it because of things that have happened in the past. It's very unfair.
I've said some things on stage where the crowd was like, 'Whoa, that's bad' - and I never say it again because that's the feedback I get.
Podcasts are hard! I mean, you gotta get the microphones and all these things... there's a lot going on there. I never really realized how much goes into producing things till I did 'Gay of Thrones.'
Even as we get older, we get in these routines - and routines are nice and comfortable - but I think that it's important to live life to its fullest and try different things. Because you never know what you're going to learn. You might not like it, you might like it.
Know all things to be like this: A mirage, a cloud castle, A dream, an apparition, Without essence, but with qualities that can be seen. Know all things to be like this: As the moon in a bright sky In some clear lake reflected, Though to that lake the moon has never moved. Know all things to be like this: As an echo that derives From music, sounds, and weeping, Yet in that echo is no melody. Know all things to be like this: As a magician makes illusions Of horses, oxen, carts and other things, Nothing is as it appears.
I started hearing things about aluminum in deodorant and other things like that. And it be so hard when you try to go to the store and find deodorant and it might not have aluminum, ammonium, but it might have all these other things. And it's like, how do I know what's good and what's not?
Drag can be considered so many dangerous things, which it isn't. But the one thing we're never called is misogynist, which might be the only thing that we truly are. Because no woman looks like this. You have so many real biological everyday women say: 'Oh I wish I would look like you.' They would look ridiculous if they looked like us.
No one reads my books until they're finished because I don't want feedback. It confuses me, and it changes things; if I get too much feedback, I get thrown off my path.
When I think of the things that I want to write, I can never say them out loud because I know how crazy they sound. I know what things sound like when you haven't actually worked on the script, so I don't go around saying some of these ideas because they just sound awful.
You know, we may just be planting seeds for future generations, but that's okay. We can't be deterred from doing things, because we might be laughed at, because somebody might say, "What did you think you'd accomplish by turning your back on the secretary of state," or something like that.
You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.
Anyone who has ever studied the history of American diplomacy, especially military diplomacy, knows that you might start in a war with certain things on your mind as a purpose of what you are doing, but in the end, you found yourself fighting for entirely different things that you had never thought of before. In other words, war has a momentum of its own and it carries you away from all thoughtful intentions when you get into it. Today, if we went into Iraq, like the president would like us to do, you know where you begin. You never know where you are going to end.
This site uses cookies to ensure you get the best experience. More info...
Got it!