A Quote by Temple Grandin

When I was younger, I didn't even realize the way I think visually is different. — © Temple Grandin
When I was younger, I didn't even realize the way I think visually is different.
And the political system is changing rapidly in this country, and we better realize that. The elephants or donkeys are not what younger people look to. They look at individual candidates' philosophy, and I think it's a different time and a different generation.
Even when you think you can detach yourself from the characters, you don't. Because you're spending so much time trying to realize this person and make them real that they do infect you, in a way. And you do take them home and live with them, even if you think you're turning the character off. But in order to pull off a role convincingly, you wind up thinking about that person all the time, and it does sort of creep into you. And then there are things that you'll respond to, or react to in a very different way than you would normally.
I know that I am old, because even if I think I'm younger than everyone - but that's true - my way of hoping and continuing is that I am always in a younger position than the other one.
The fantastical images in my works are descriptive in a different way - a metaphorical way - that removes you from reality. Then, this visually removed point of view allows you to deal with a very heavy subject.
It's very common to think that we're always evolving, that we've changed so much from our younger selves, that within decades we've transformed into these different people. We like to think that. I feel in some ways that I am still so much my younger self. There are ways that I'm different: I feel like I'm wiser and kinder. But I think a lot of the impulses are still the same. I learned that.
I think visually... so, even when I'm writing a play, I'm envisioning it.
On film, when you're driving home from the set, you realize what you should have done, but it's too late. When you're taking the subway home from your play, you realize what you did wrong, and you go back the next night and you do it better, or you screw it up again in a different way. It's a different thing altogether.
I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
I think I just never wanted to be the creepy guy where people say, 'Why do his leading ladies keep getting younger and younger, and why do they think he's so hot even though we know that the girl who's playing this part actually has a handsome boyfriend?'
I've come to realize that life, while being everything, is also strangely not much. Except when the light shines on it a different way and then you realize it's a lot after all!
Also, I think having that comic gene kind of makes you look at things in a different way. If you take yourself so seriously, eventually you end up one of those people having a 'Do Not Disturb' sign on their lives. You see them drawing the curtains and they don't even realize that they've kind of drifted off somewhere.
In my time, I've gotten the chance to play a few different people who are younger and have been rejected by their parents, and I think a lot of times that results in them really seeking help, even subconsciously doing so.
Through playing so many shows now outside of Japan, what I realize the most is that there is a very diverse fan base that comes to our shows. Sometimes you see older people, younger people, kids, female, male, a lot of different demographics, people from different backgrounds as well.
You're talking about a younger generation, Generation Y, whose interpersonal communication skills are different from Generation X. The younger generation is more comfortable saying something through a digital mechanism than even face to face.
I think there's room for everybody in Impact Wrestling. I think those veterans that come in, they do nothing but give the younger talent nothing but insight and lessons and to help the younger talent. They show them the way.
The younger people get into the lyrics in a different way; there's much more of a tactile understanding, which is the way I prefer it.
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