A Quote by Tennessee Ernie Ford
I snapped my fingers all through it. Sometimes I set my own tempo during rehearsal by doing that.
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In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.
I started doing the big Hollywood stuff, and I realised, 'Oh, there's no rehearsal at all; you just turn up on the set, and sometimes you haven't even met the other actor, or the woman who's playing your wife, and you're suddenly in bed with them.'
The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
When you fly to New York, sometimes they put you on hold and you just go round and around in a holding pattern. Sometimes in a concert, I feel other spirits in a holding pattern that they want to land through my heart and through my fingers.
The Nike joint 'Classic' with Kanye, Nas, KRS-One, that was a remix - Rick Rubin did the original, and his was a double-time tempo; mine was a regular boom-bap tempo, and they liked it so much that we ended up doing the video to it.
I've been on projects before where there's no rehearsal, and you walk in on set and that's literally the first time you've ever played the character, and then I've had times where there's been three weeks of rehearsal. I like both.
Listen, there are some movies that are set in stone and the writer or the director does not want to change, but I've never worked on a movie, including my own, that didn't take advantage of a rehearsal process.
Death like a lover, caressing him, promising him peace, running its fingers through his hair, its tongue in his ear. She put her own two fingers in her mouth. Im so sorry. And pulled the trigger
For me, rehearsal is very important, and I spend a lot of time doing it. Also, I work with my acting teacher for hours and hours before walking onto any set.
I don't want no drummer. I set the tempo.
I did quite a lot of the arranging, fitting different sections together, tempo changes, all sorts of things like that. I actually acted as a bridge between Robert and Ian. Not so much composing, rather presenting musical ideas at each rehearsal.
I concentrated hard and snapped my fingers. "You don't see the sword," I told the girl. "It's just a ballpoint pen." She blinked. "Um . . . no. It's a sword, weirdo.
Harpernus Stoyan, if you can't behave yourself and go and turn all Roman hands and Russian Fingers under that comforter, you're going to have to sit on the couch," Stephanie snapped, sounding for all the world like a stern schoolteacher.
Up-tempo or slow tempo, I don't feel that one is better than the other.
Get a book, so you know where to put your fingers. Otherwise it would be tough to learn. Also you have to fight through getting callouses on your fingers because it hurts, you are pressing your fingers on metal strings, they will hurt at first until you start building up callouses.
We had no money, and we had to go through 'punk' school. We ended up living in the rehearsal room that used to be the Sex Pistols rehearsal room at Malcolm McLaren's office. So we had this sort of interesting beginning.
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