A Quote by Tennessee Williams

They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields! — © Tennessee Williams
They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields!
Nothing remains but desire, and desire comes howling down Elysian Fields like a mistral.
'Death Of A Salesman,' 'Streetcar Named Desire,' these are the things that, when I was growing up, made me want to be an artist.
Mama, I know you used to ride the bus. Riding the bus, and it’s hot and bumpy and crowded and too noisy, and more than anything else in the world, you wanna get off. And the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going. Well, I can get off right now if I want to. Because even if I ride fifty more years and get off then, it’s still the same place when I step down to it. Whenever I feel like it, I can get off. Whenever I’ve had enough, it’s my stop. I’ve had enough.
I'm in the theater because of two plays: 'A Streetcar Named Desire' and 'Death of a Salesman.'
I would really have liked to have gone to Broadway with 'A Streetcar Named Desire.' I was proud of that.
People who don't know how old I am can cast me as the woman in 'Girl with a Pearl Earring' and can cast me as Stella in 'Streetcar Named Desire,' and they are miles apart.
People's relationship to what they want from theatre is changing. People, including me, are still looking for the next STREETCAR NAMED DESIRE. And people can't or won't write that anymore.
Growing up, I loved films like 'A Streetcar Named Desire' and 'On the Waterfront' and became a huge fan of Marlon Brando.
I was probably 8 years old; my mom let me stay up one night. She's like, 'You have to see this movie.' It was 'A Streetcar Named Desire,' and it was on TV, and it was a big deal. And I saw Marlon Brando, and I was like, 'Oh, my God.' That's where it started.
I remember, and I will never forget, one day - I was six years old and I was playing beside the road and this plantation owner drove up to me and stopped and asked me "could I pick some cotton." I told him I didn't know and he said, "Yes, you can. I will give you things that you want from the commissary store," and he named a huge list that he called off. I picked the 30 pounds of cotton that week, but I found out what actually happened was he was trapping me into beginning the work I was to keep doing and I never did get out of his debt again.
I remember watching 'A Streetcar Named Desire' when I was quite young, I was about 12, or 13, and I watched it, thinking, 'Wow. That is pretty cool. I'd like to do something like that.'
'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
I would do a film, make the money, then take off for six months to Europe, India or Russia. My agent told me that I had to stay in town if I ever wanted to build a career, because everyone forgets about you.
I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'
I have a background in theater. At the time I read The Loved Ones script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in A Streetcar Named Desire and Isabella in Measure for Measure.
I had a high school girlfriend whose mother gave us theater tickets, so I saw the second night performance of 'A Streetcar Named Desire.' My girl and I could not get up during intermission, we were so stunned. To this day it's the only thing I've seen on stage that's 100 percent real and 100 percent poetic simultaneously.
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