A Quote by Tennessee Williams
We live on two levels ... the realistic level and the fantastic level, and which is the real one, really?
Related Quotes
Society and government at all levels - the state level, the local level and, of course, the federal level - really needs to redouble its efforts if we're really going to make a difference in combating autism.
Women have so many levels. There's the physical level, which is a lot of fun. There's this emotional level, which is extremely mercurial.
When you're dealing with a symbol in a realistic play, it is also a realistic fact. You must expect the audience's mind to work on both levels, symbolically and realistically. But we're trained so much in pure, realistic theater that it's difficult for us to handle things on two levels at the same time.
There are many levels of organization in nervous systems. Hence we aim to explain mechanisms at one level in terms of properties and dynamics at a lower level, and to fit that in with the properties at the higher levels.
We get to choose how we're going to live - what level of energy, what level of vibrancy, what level of excitement.
Fairytales work on two levels. On a conscious level, they are stories of true love and triumph and overcoming difficult odds and so are pleasurable to read. But they work on a deeper and symbolic level in that they play out our universal psychological dramas and hidden desires and fears.
For me the breath really is the tool which allows you to understand what's happening on the mental level and what's happening on the emotional level, and it also allows you to measure what's happening on a physical level.
I think in some ways it would make more sense to have as a poverty level a relative concept and say, the level of poverty is that level of income or that level of consumption below which 10 percent of the people now are.
Apart from the first set - which used high-level concert lighting - once you stepped into the two narrative pieces, we were working with lower-level theatrical lights. In most cases, people were really respectful of that.
We have also obtained a glimpse of another crucial idea about languages and program design. This is the approach of statified design, the notion that a complex system should be structured as a sequence of levels that are described using a sequence of languages. Each level is constructed by combining parts that are regarded as primitive at that level, and the parts constructed at each level are used as primitives at the next level. The language used at each level of a stratified design has primitives, means of combination, and means of abstraction appropriate to that level of detail.
There's that effect that is very physical, very down there at the synaptic level, which really means microscopic cellular level, but also molecular level, because all of those structures are operating on an electrochemical basis and so the changes there are very important.
I've always felt that the writing I responded to most - the novels and stories that compelled me, that felt like they described the world I live in, with all of its subjectivity, irrationality, and paradox, were those which made free use of myths and symbols, fantastic occurences, florid metaphors, linguistic experiments, etcetera - to depict the experiences of relatively 'realistic' characters - on the level of their emotions and psychology, rather than in terms of what kinds of lives they led or what kind of events they experience.
When science, art, literature, and philosophy are simply the manifestation of personality, they are on a level where glorious and dazzling achievements are possible, which can make a man's name live for thousands of years. But above this level, far above, separated by an abyss, is the level where the highest things are achieved. These things are essentially anonymous.
Apparently there are three levels of brain activity. Level 1 is the lowest level - the amount of concentration required to, say, delete emails or serve in congress.
Decades of anti-migrant rhetoric in parliament and the press has resulted in few voters having realistic ideas of the genuine level of migration, on both a national level and in their local community.
I don't feel like a live set even seems super real for an electronic act like me. It's not really that entertaining. I've seen a lot of my favourite acts take it to a new level with a live band and stuff, which is amazing, but for me, a live set would be boring to watch.
Related Authors
Alan Bennett Quotes
English
Dramatist
Alexandre Dumas Quotes
French
Dramatist
Anton Chekhov Quotes
Russian
Dramatist
David Mamet Quotes
American
Dramatist
Edward Albee Quotes
American
Dramatist
Eugene Ionesco Quotes
French
Dramatist
Friedrich Schiller Quotes
German
Dramatist
Harold Pinter Quotes
English
Dramatist
Jean Racine Quotes
French
Dramatist
John Heywood Quotes
English
Dramatist
Jules Renard Quotes
French
Dramatist
Lillian Hellman Quotes
American
Dramatist
Pierre Corneille Quotes
French
Dramatist
Tom Stoppard Quotes
English
Dramatist
W. S. Gilbert Quotes
English
Dramatist
Zora Neale Hurston Quotes
American
Dramatist