A Quote by Tennessee Williams

My '60s plays were as good as most of the other plays I've written ... except I wasn't in a condition to refine them, to help in the rehearsal, or do anything. I was hardly conscious of what was going on except during the hours of the day when I was actually writing ... and that was with the aid of speed.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I didn't get anything published until I was thirty-three, and yet I'd written five novels and six or seven plays. The plays, I should point out, were dreadful.
I don't know what of our culture is going to survive, or if we survive. If you look at the Greek plays, they're really good. And there's just a handful of them. Well, how good would they be if there were 2,500 of them? But that's the future looking back at us. Anything you can think of, there's going to be millions of them. Just the sheer number of things will devalue them. I don't care whether it's art, literature, poetry or drama, whatever. The sheer volume of it will wash it out. I mean, if you had thousands of Greek plays to read, would they be that good? I don't think so.
You run your plays, you know your plays, you study your plays, you study the other team, you do as much as you can, you go to practice, you get in shape, you do what you need to do, and then by the time you get to the game, you know your plays, but they have to feel like they're in your bones. That has to be an unconscious thing, it cannot be conscious. That is everything to me.
[N]othing is as surprising as life. Except for writing. Except for writing. Yes, of course, except for writing, the only consolation.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
I fell into writing plays by accident. But the reason I write plays is that it's the only thing I'm any good at.
Modern civilization is largely devoted to the pursuit of the cult of delusion. There is no general information about the nature of mind. It is hardly ever written about by writers or intellectuals; modern philosophers do not speak of it directly; the majority of scientists deny it could possibly be there at all. It plays no part in popular culture: no one sings about it, no one talks about it in plays, and it's not on TV. We are actually educated into believing that nothing is real beyond what we can perceive with our ordinary senses.
God, When I was alone, and had nothing, I asked for a friend to help me bear the pain, No one came, except God, When I needed a breath to rise, from my sleep, No one could help me.. except God, When all I saw was sadness, and I needed answers, No one heard me, except God, So when I'm asked.. who I give my unconditional love to? I look for no other name, except God
I don't think I've ever written about me. I'm not a character in any of my plays, except that boy, that silent boy that turns up in Three Tall Women.
The old age of women is bearable only on condition that they do not take up any room, do not make any noise, do not demand any service; on condition that they render all the service that is expected of them, and actually have no existence except for the good of others.
I do have some theatrical background. I've written plays and seen plays and read plays. But I also read novels. One thing I don't read is screenplays.
I don't do plays without jokes anymore. I've retired from those plays. I think it's bad manners to invite people to sit in the dark for two and a half hours and not tell them the joke.
I don't believe really good plays - interesting plays, complicated plays - can mean just one thing to every single person in the audience.
Lectures broke into one's day and were clearly a terrible waste of time, necessary no doubt if you were reading law or medicine or some other vocational subject, but in the case of English, the natural thing to do was talk a lot, listen to music, drink coffee and wine, read books, and go to plays, perhaps be in plays.
I always loved theater and acting in plays and directing, writing little plays and directing friends in plays.
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