A Quote by Tenzin Palmo
In India many people come to discuss things with me. I sometimes say that half of them come saying, "I have a problem, I want to find a teacher." The other half say, "I have a problem because I have a teacher!" So it's not so simple.
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I used to say, ‘Things cost too much.’ Then my teacher straightened me out on that by saying, ‘The problem isn’t that things cost too much. The problem is that you can’t afford it.’ That’s when I finally understood that the problem wasn’t ‘it’-the problem was ‘me.’
Say thank you! I want to hear you say it now. Out loud. 'Thank you.' You're saying thank you because your faith is so strong that you don't doubt that whatever the problem, you'll get through it. You're saying thank you because you know that even in the eye of the storm, God has put a rainbow in the clouds. You're saying thank you because you know there's no problem created that can compare to the Creator of all things. Say thank you!
Sometimes I'm a psychiatrist and I tell people in my office that my door is open, and if they have a problem to come and talk to me. Sometimes I say, "I have to close the door because I don't want to hear it!"
Half the world is composed of people who have something to say and can't, and the other half who have nothing to say and keep on saying it.
When you start looking at a problem and it seems really simple, you don't really understand the complexity of the problem. Then you get into the problem, and you see that it's really complicated, and you come up with all these convoluted solutions. That's sort of the middle, and that's where most people stop... But the really great person will keep on going and find the key, the underlying principle of the problem - and come up with an elegant, really beautiful solution that works.
I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, Look how far weve come, because we hadnt come very far, to say the least. Although Jacksons population was half white and half black, I didnt have a single black friend or a black neighbor or even a black person in my school.
I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, 'Look how far we've come,' because we hadn't come very far, to say the least. Although Jackson's population was half white and half black, I didn't have a single black friend or a black neighbor or even a black person in my school.
The fact is, I am in my third marriage and I do not believe in divorce. But I was half the problem, I guarantee you. More than half the problem. I couldn't negotiate with the other women.
Many people have been pontificating, and patronizing, and moralizing, and scapegoating, saying you Greeks, you are the problem. I would say we Greeks have a problem. We are not the problem.
As a teacher myself I've been in situations where parents come at you, and sometimes parents come across like the teacher doesn't want the best for their kid and it can be really, really hurtful.
I am not keen on the idea of an oversharer. I don't like that as a problem. I have more of a problem with an undershare. If I'm talking to somebody and I ask them how their love life is and they say "fine," that's a problem for me. I want to know things about people, I feel like we're all here on this planet, and intimacy is important.
Fears to look bad in front of other people, to say something wrong, to be laughed at - all those fears deprive us of half of our abilities. This is one of the main school problems. That teacher understands it, who can teach students to study without fear of the teacher, without fear of classmates, and, the most important, without fear of a subject.
I feel like I come from a smaller off shoot of black people because I am mixed. People say I’m African American but that doesn’t include the other half of me.
I feel like I come from a smaller off shoot of black people because I am mixed. People say I'm African American but that doesn't include the other half of me.
I have this problem in the rebirthing community because it's so powerful sometimes, I get thrown out because people want to do things a certain way and they are just not open to new ideas, so they don't want me to come around.
You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can't express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn't hurt any more: that's my poem. I know what they want to say, and I say it for them.
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