A Quote by Terence Crawford

I always have the ability to believe in myself when nobody else does. — © Terence Crawford
I always have the ability to believe in myself when nobody else does.
I always believe in myself, nobody else believed in me.
Every one of us have things that we believe about ourselves when nobody else is looking, nobody else is listening, nobody else is monitoring what we're doing. We believe things about ourself.
Psychologically, when I sit down at noon, I'm it. I'm the only thing on. Nobody else does what I do. Nobody else has the opportunity. That's the psychological mindset. It's not an ego thing; it's just the way I've always approached it.
Believe in yourself when nobody else does.
Every one of us have things that we believe about ourselves when nobody else is looking, nobody else is listening, nobody else is monitoring what we're doing. We believe things about ourselves.
Nobody does just one thing. But the real difference between being an entrepreneur and everyone else in the world is the ability to monetize. I am an entrepreneur in the classic mold.
I've always had a belief in myself and an ability to always do what I believe.
I care about me now. When I didn't care about me, I was, like, 'Why is this going wrong? Why is my life so bad?' But when you don't care about yourself, nobody else is going to care about you. So I learned to love myself, even if nobody else does.
I don't know what the definition of pornography is and nobody else does either. Pornography is somebody else's erotica that you don't like. People are interested in their own sexuality and they've always reflected it in their art. End of story.
Ronaldinho is the best. I just like the joy and the love he has when he plays, it just shines for everyone else to see. He always does something nobody expects him to do. I think that's really cool, that creativity you don't find anywhere else.
Real ability is the child of God-given talent and rock solid diligence. Nobody maintains ability without hard work. Nobody.
Nothing frustrates me more than someone who reads something of mine or anyone else's and says, angrily, 'I don't buy it.' Why are they angry? Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head—even if in the end you conclude that someone else's head is not a place you'd really like to be.
For a couple of years, being professional, I kind of questioned myself. Should I wear my false lashes or take the time I want to take so I can feel good when I go out on the field? Because nobody else was really doing that. And I thought, No: I'm not going to change what I believe I should look like to fit anybody else's standards.
In some ways, I was confident as a teenager - I didn't mind standing on stage in front of loads of people - but innately, I didn't believe in myself. I would always put myself down before anyone else could.
Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head.
I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.
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