The psychedelic experience is the beginning of the spiritual path. That's why it's not important that yogas' claim that they can deliver you the psychedelic experience, because it begins with the psychedelic experience, and then you go from there.
The sine qua non for obtaining a psychedelic experience is humbling yourself to the point where you admit that you must submit to the experience of the plant or the drug. This act of surrender is the major technical function you will be called upon to perform during the psychedelic trip.
It's my belief that one of the unconscious reasons which underlies the odd attitude of the establishment toward hallucinogens is the fact that they bring the mystery to the surface as an individual experience. In other words, you do not understand the psychedelic experience by getting a report from Time magazine or even the Economist. You only understand the psychedelic experience by having it.
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one. The transcendent aspect of the psychedelic experience is totally absent.
The Gaian mind is what were calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet - and without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set.
My normal lectures deal with the psychedelic experience as a generalized and historical phenomenon, but this effort at communication is slightly more personal in that it's an effort to impart [just] one idea that came out of an involvement with psychedelic substances.
To me, the psychedelic experience is the experience of trying to make sense of reality.
Part of what being involved in the psychedelic experience is about is reclaiming your own experience.
I'm influenced by the music of the '60s. It's a mishmash of everything. To me, psychedelic can be all the way to a DJ. House music can be very psychedelic. 'Flying Lotus' is very psychedelic. Even though it's urban and technological, it's also mind-expanding, anything-can-go mishmash.
The central point about the psychedelic experience is the content of the experience. And this has been occluded or obfuscated by the behavioral and statistical and scientific methods that have been brought to bear to study hallucinogenic experience.
And the whole schtick of the psychedelic experience, I think, is reclaim immediate experience, realize that you out vote all parliaments, police forces, and major newspapers on the planet because, who knows, they may be illusions.
We have the tools, the intellect, the will to create a caring global culture. It isn't going to come without a recognition of the power of the psychedelic experience. The psychedelic experience is the birth right of every human being on the planet. It is as much a basic part of each and every one of us as our sexuality, our national identity, our consciousness of self. And any society which attempts to hold back or impede this dimension of self-expression, when the history of that society is written, it will be called barbarous.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
Basically, for me the psychedelic experience was the path to revelation. It actually worked on somebody who thought nothing would work.
It puts people who are into this psychedelic thing in an entirely different stance from all other spiritual seekers, because all other spiritual seekers are furiously seeking. Psychedelic people are holding it back with all their power, because they are in the presence of the mystery. And then the trick is to get a spigot on it so that it can be turned on and off rather than coming at you like a tidal wave a mile high and twenty miles wide.
That's why I always recommend a psychedelic experience because it makes you realize that all you've learned is in fact just learned and not necessarily the truth.
You want a showman, go see rock 'n' roll bands today. You want to have a shamanistic experience, get psychedelic, then you watch The Doors.