A Quote by Terence McKenna
It's possible to see the whole human growth movement of the 1970s as a wish to continue the inward quest without having to put yourself on the line in the way you had to when you took 250 gamma of LSD. And I think all these other methods are efficacious, but I think it's the sheer power of the hallucinogens that puts people off.
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I think it's the sheer power of the hallucinogens that puts people off. You either love them or you hate them, and that's because they dissolve world views. And if you like the experience of having your entire ontological structure disappear out from under you, if you think that's a thrill, you'll probably love psychedelics.
In the past, humans hesitated when they took lives, even non-human lives. But society had changed, and they no longer felt that way. As humans grew stronger, I think that we became quite arrogant, losing the sorrow of 'we have no other choice.' I think that in the essence of human civilization, we have the desire to become rich without limit, by taking the lives of other creatures.
I think it is possible for the world to see a Palestinian state - I'm not going to put a time frame on it - that is contiguous, that allows freedom of movement for its people, that allows for trade with other countries, that allows the creation of businesses and commerce so that people have a better life.
I want to continue to grow in every way possible, as an actor, a woman, just as a human being in general. I think growth is just an all-around great idea.
Do whatever comes your way to do as well as you can. Think as little as possible about yourself. Think as much as possible about other people. Dwell on things that are interesting. Since you get more joy out of giving joy to others, you should put a good deal of thought into the happiness that you are able to give.
I took movement classes that I wore my double-breasted suits to. I worked on my elocution because people spoke differently then. I was really trying to toe the line. I think that if I had spoken exactly the way that people spoke back then, it probably would have alienated people.
Nobody's ever had crowds like we're having. It's a movement. It's a movement for common sense. These I think are real Trump people. These are people that want to see America be great again. That's what it's all about.
Let me give you a few simple rules for learning to draw. First, see of what shape the whole thing is. Next, put in the line that marks the movement of the whole. Don't have more than one movement in a figure; you can't patch parts together. Simple lines; then simple values. Establish the fact of the whole. Is it square, oblong, cube, or what is it?
I think my whole deal was I didn't think other people had a right to an opinion. I think the problem I had was, in real life, it was my way or the highway, and if people disagreed with me, then they were just wrong.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
I can't think of anything outside of having the gift yourself and creating yourself. I can't think of the next better thing to do than being able to put it back. Creative expression, I think, is vital to the success of any society.... A society without art will die.
...in place of the Old Bottom Line of money and power, a New Bottom Line of Love and Generosity is possible. People of all faiths need to shape a political and social movement that reaffirms the most generous, peace-oriented, social justice-committed, and loving truths of the spiritual heritage of the human race.
Wales are obviously a team that like to play rugby in your half and put as many people as possible in the front line and get off the line and put pressure on you.
The consciousness-expanding drugs - the hallucinogens, such as cannabis, mescaline, LSD, Psylocybin - I think are useful to a writer up to a certain point. That is, they open psychic areas that would not otherwise be available to the writer. But I feel that once these areas have been opened and the writer has reached them, he is able to get back there in the future without the drug.
In the case of two actors connecting with each other and trusting each other, our bodies have memories without us having to consciously think about it, so rather than think, "Oh, I must think about my daughter dying," you just let that go and trust that you have all the emotions you need in there, and by losing yourself in the scene, that stuff kicks in without having to spend the day thinking about horrific things happening to your own child.
I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.
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