A Quote by Terence McKenna

Well, certainly the Voynich Manuscript is the 'limit text' of Western occultism. No one can read it. It is truly an occult book. — © Terence McKenna
Well, certainly the Voynich Manuscript is the 'limit text' of Western occultism. No one can read it. It is truly an occult book.
I've always been captivated by the Voynich Manuscript - the mysterious, 15th-century encrypted codex that still baffles cryptologists, linguists, and historians.
When I'm writing the text for a book like 'Little White Rabbit,' I read it aloud, alone, in my studio, again and again and again - because the rhythm has to be exactly right. After I get my manuscript to the point where I think it is perfect, I begin to think about what I want the art to look like.
'The Catcher in the Rye' was targeted by some schools as a book too risque to read and certainly not appropriate for young minds. My parents certainly would not have approved of the book, but I secretly read it when I was in 7th grade. I felt so rebellious, and my young mind loved it.
My husband, William Sutcliffe, the writer, is my first reader and in many ways my most important. That initial reading of the manuscript is crucial and irreplaceable and you want them to approach it as someone in a bookshop might, not knowing much about it. So I've got into this pattern of not telling Will anything about the book I'm working on. He often knows nothing about the book I'm working on at all until I give him the whole manuscript and ask him to read it. The book I'm working on at the moment he knows nothing about. No one does.
That text is known to them that have the patience to read it, possibly one one-hundredth of one percent of the denizens. They forget it, all save a few Western states. I think somebody in Dakota once read it. The Constitution.
It started out as a typically insane idea to map every part of the published text in terms of its manuscript provenance and history, and to establish the cultural meaning of the book, part and whole.
If a parent doesn't want his/her child to read a book then there is always an alternative text to read. But the book banners want to control what every child reads.
Reading, writing, mathematics, astronomy, chemistry, medicine, physics, and more were all at one time deep occult secrets. Today, many of these things are taught to children before they begin school. THE OCCULTISM OF THE PAST BECOMES THE SCIENCE OF THE FUTURE.
When I was taken to the concentration camp of Auschwitz, a manuscript of mine ready for publication was confiscated. Certainly, my deep desire to write this manuscript anew helped me to survive the rigors of the camps I was in.
I attempt to read one book every day. I don't always achieve that, especially when I'm traveling. But when I'm home, I read almost a book a day. I certainly read a minimum of two or three a week. And as a result of that, I've read over 3,000 books in areas that interest me, like consciousness and spirituality, holistic health, leadership, success, psychological awareness, therapy, etc.
I thought, well I can do that. I couldn't be bothered writing a book review, because I'd have to read the book, I haven't got time to read a whole book for a fifty dollar write-up.
My goal is to create a book where the entire book-text, pictures, shape of book-work together to create the theme. The placement of images and text on the page is crucial for me.
After I work with my editor to get the manuscript in good shape, I sketch and lay out a whole book loosely, usually in black and white. You learn things about your text when you have to think about pacing and page-turns.
I am very bad at remembering the books I've read and so recently I had a wonderful experience. I decided I wanted to teach Toni Morrison's The Bluest Eye. I hadn't read it in twenty-five years. I was surprised to find how much I drew from that book. Stole from that book, learned from that book about writing. I had forgotten and there it was. Morrison has called that text faulted. I cannot see how.
I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
A good part of the work is just reading a manuscript and coming to the office. I can't imagine wanting to even read an article about book publishing.
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