A Quote by Terence McKenna

What I always hoped for out of the psychedelic voyaging was to bring back something. I always felt, and still feel, that that is the attitude with which you should go into these things.
You literally can't do any more than your best so that was always my attitude and that is still my attitude, which is to go out there and give it my best every single night.
I think that one of the things is that, if you are going to decide to be a painter, you have got to decide that you are not going to be afraid of making a fool of yourself. I think another thing is to be able to find subjects which really absorb you to try and do. I feel that without a subject you automatically go back into decoration because you haven't got the subject which is always eating into you to bring it back - and the greatest art always returns you to the vulnerability of the human situation.
We always go back to that base, and that base is so important. It's like an energetic womb where you can begin. Energy is there and it's always there, and from there we receive the initiations that bring in peace, and a feeling of things leaving the body and then we start to feel peace, hope and understanding, which many people don't have right now.
You don't always have to go so far as to murder your darlings โ€“ those turns of phrase or images of which you felt extra proud when they appeared on the page โ€“ but go back and look at them with a very beady eye. Almost always it turns out that they'd be better dead. (Not every little twinge of satisfaction is suspect โ€“ it's the ones which amount to a sort of smug glee you must watch out for.
I always wanted the actors to feel really free to leave the words behind if they weren't working, reword lines, if they felt like there was impulse they wanted to follow, if it was taking the scene out of order or adding something, that you should always feel free to do that.
We lived in Colorado, and my parents were outdoorsy mountain people. My father would always say, 'Go out and don't come back until you have something to show me.' Which meant he wanted me to come back with a scraped knee or an injury. When I went out to play, I felt like I'd better get hurt.
It's my belief that one of the unconscious reasons which underlies the odd attitude of the establishment toward hallucinogens is the fact that they bring the mystery to the surface as an individual experience. In other words, you do not understand the psychedelic experience by getting a report from Time magazine or even the Economist. You only understand the psychedelic experience by having it.
Remember with your heart. Go back, go back and go back. The skies of this world were always meant to have dragons. When they are not here, humans miss them. Some never think of them, of course. But some children, from the time they are small, they look up at the blue summer sky and watch for something that never comes. Because they know. Something that was supposed to be there faded and vanished. Something that we must bring back, you and I.
Things that don't have a big impact seem to be crucial. Always when you go out to make a movie you have questions, "What if this doesn't work? What if that doesn't work?" you want to cover yourself, you want to bring back enough [footage] so you can do something.
I think back into when I was in college coming out, what I had to go through, the steps I had to make. And I still play with that chip on my shoulder to this day and I always will, so that's something that'll always stay with me.
I always had, you know, in the book of Hebrews, I think it's chapter 11, verse 1, where it says, "Now faith is the substance of things hoped for, the evidence of things not seen." I always had this sense that there was something on the other side. That there was something better.
I've always felt like I've had the ability to choose which roles I was going to play. I don't think that the industry agreed with me, but I've always had a bit of a headstrong attitude of only doing the things that I really believe in and want to explore.
The Bring the Noise buzz was so strong, so we put it out on a release called 'Attack of the Killer B's' which was a record made up of B-sides and things like that - so it wasn't out on our new album, you know what I mean? But we always felt strongly about it.
"Externality" is a different phenomenon from akrasia and doesn't always come with it. The set of desires and actions from which one feels alienated isn't always the same as the set of desires and actions of which one disapproves. It has been pointed out that you can disapprove of something inside yourself but still experience it as yours ("damn it, here I go again!"). In addition, you can approve of something inside yourself but feel like it's not yours ("when the emergency sirens went off, it was as if someone calmer and more reasonable took over and knew just what to do").
On tour I feel like it's always so go go...you're always just taking in and storing information and feelings and things. So for me I need time off to let all those things come out and settle.
Even though I've been doing it for so long, I still feel fresh. Even when I walk out on stage, I still feel pretty much the same as I've always felt.
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