A Quote by Terence McKenna

We are like coral animals embedded in a technological reef of extruded psychic objects...All our tool-making implies our belief in an ultimate tool. — © Terence McKenna
We are like coral animals embedded in a technological reef of extruded psychic objects...All our tool-making implies our belief in an ultimate tool.
But technology is the real skin of our species. Humanity, correctly seen in the context of the last five hundred years, is an extruder of technological material. We take in matter that has a low degree of organization; we put it through mental filters, and we extrude jewelry, gospels, space shuttles. This is what we do. We are like coral animals embedded in a technological reef of extruded psychic objects. All our tool making implies our belief in an ultimate tool. That tool is the flying saucer, or the soul, exteriorized in three-dimensional space.
I believe photography is a tool to express our positive assessment of the world. A tool to acquire ultimate happiness and belief.
We are like coral animals in a vast reef of excreted technological material that is wired for solid state data transfer.
The greatest tool at our command is the very thing that is photography. Light. Light is our paintbrush and it is a most willing tool in the hands of the one who studies it with a sufficient care.
A most important, but also most elusive, aspect of any tool is its influence on the habits of those who train themselves in its use. If the tool is a programming language this influence is, whether we like it or not, an influence on our thinking habits.... A programming language is a tool that has profound influence on our thinking habits.
The uniqueness of humans has been claimed on many grounds, but most often because of our tool-making, culture, language, reason and morality. We have them, the other animals don't, and -- so the argument goes -- that's that.
Linguistics is our best tool for bringing about social change and SF is our best tool for testing such changes before they are implemented in the real world, therefore the conjunction of the two is desirable and should be useful.
Alienation is perhaps the most effective tool of control in America, and every reminder of our real connectedness weakens that tool.
When you adopt a tool you adopt the management philosophy embedded in that tool.
In a sense, every tool is a machine--the hammer, the ax, and the chisel. And every machine is a tool. The real distinction is between one man using a tool with his hands and producing an object that shows at every stage the direction of his will and the impression of his personality; and a machine which is producing, without the intervention of a particular man, objects of a uniformity and precision that show no individual variation and have no personal charm. The problem is to decide whether the objects of machine production can possess the essential qualities of art.
Language and culture cannot be separated. Language is vital to understanding our unique cultural perspectives. Language is a tool that is used to explore and experience our cultures and the perspectives that are embedded in our cultures.
Black Lives Matter is our call to action. It is a tool to reimagine a world where black people are free to exist, free to live. It is a tool for our allies to show up differently for us.
The tool user, provided the tool is made well, need not, and indeed should not, know anything about the tool.
The market is a tool, and a useful one. But the worship of this tool is a hollow faith. Far more important than any tool is what you make with it.
Attention is the most powerful tool of the human spirit. We can enhance or augment our attention with practices like meditation and exercise, diffuse it with technologies like email and Blackberries, or alter it with pharmaceuticals. In the end, though, we are fully responsible for how we choose to use this extraordinary tool.
We have changed. We are no longer, as I said, bipedal monkeys. We are instead a kind of cybernetic coral reef of organic components and inorganic technological components.
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