A Quote by Terence McKenna
It seems to me that right under the surface of human neurological organization is a mode shift of some sort that would make language beholdable.
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Usually right when I'm feeling it, right when it's happening, I always find I need to be in some sort of survival mode or mature mom mode, so it always seems to come later that I have the breakdown.
Once you finish a film you sort of go into depression mode because the energy shift is so strong. That's what happens to me anyway; I can't cope with the switch.
I love playing with language and the rhythm of language - for some reason, this seems so much easier for me to do when I get to make things up than when writing nonfiction.
I would like to mention some preparations that were required of me. The first preparation is to take a right attitude toward life. This means, stop being an escapist! Stop being a surface liver who stays right in the froth of the surface. There are millions of these people, and they never find anything really worthwhile. Be willing to face life squarely and get down beneath the surface of life where the verities and realities are to be found. That's what we are doing here now.
The iconoclastic mode, that specific mode of language, there is an element of it that it is punk - that is confrontational. That's just a part of the language of jazz - at a certain point.
I think in general technology always sort of makes some jobs less relevant, or perhaps, even obsolete, but I will say that the idea that sort of workers will find nothing else to do seems like it's way too pessimistic on the capabilities of everyone as human beings, right?
If you want to understand what it means to be afraid, what fear as experienced by human beings is, then your focus must shift. No longer will you be satisfied with mechanical, physiological, neurological accounts. For this inquiry will require you to observe closely what human beings feel, sing, think, write and say to one another.
I sometimes feel that my goal as a novelist would be to write a novel in which the language was so transparent that the reader would forget that language was the medium of understanding. Of course that's not possible, but it's some sort of idealized goal.
I protest that if some great Power would agree to make me always think what is true and do what is right, on condition of being turned into a sort of clock and would up every morning before I got out of bed, I should instantly close with the offer.
Expressing love in the right language. We tend to speak our own love language, to express love to others in a language that would make us feel loved. But if it is not his/her primary love language, it will not mean to them what it would mean to us.
Hyperpolyglots are not born, and they are not made, but they are born to be made. There is a finite subset of the human population which has the right neurological equipment for learning and using lots of languages. That equipment may serve only a sub-component of language learning, such as mimicry, pattern recognition, or memory, or it serves those sub-components in a global fashion.
... fain would I turn back the clock and devote to French or some other language the hours I spent upon algebra, geometry, and trigonometry, of which not one principle remains with me. Stay! There is one theorem painfully drummed into my head which seems to have inhabited some corner of my brain since that early time: "The square on the hypotenuse of a right-angled triangle is equal to the sum of the squares on the other two sides!" There it sticks, but what of it, ye gods, what of it?
I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode.
Being a slow reader would normally be a deficiency; I found a way to make it an asset. I began to sound words and see all those qualities - in a way it made words more precious to me. Since so much of what happens in the world between human beings has to do with the inconsideration of language, with the imprecision of language, with language leaving our mouths unmediated, one thing which was sensuous and visceral led to, in the use of language, a moral gesture. It was about trying to use language to both exemplify and articulate what good is.
Curiously enough, it seems to be only in describing a mode of language which does not mean what it says that one can actually say what one means.
It seems clear to me that the Obama Administration has no human rights policy. That is, while in some inchoate sense they would like respect for human rights to grow around the world, as all Americans would, they have no actual policy to achieve that goal - and they subordinate it to all their other policy goals.
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