A Quote by Terence McKenna
There's something in the Western mind that gets very nervous when you try to talk about the bedrock of ontology.
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The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely do, they try to problematize it.
You try so hard to make something that's fun and exciting, then all anyone wants to talk about is how no-one likes you. It gets very grinding. I had to let the chip I have on my shoulder about that go.
In opposing we always talk about freedom in the Western world, Muslims always talk about justice. Very often we mean the same thing. But what we do mean, what in the Western world we call human rights, in the Islamic world, they don't talk about rights. Now they do, but in the past they didn't. It wasn't part of their terminology. But really it's the same thing.
I am always nervous before the start of a race. It helps me to say to myself to try my very best. That is my commitment. No matter how bad it gets, I will try my hardest.
Seeing Pax get extra-nervous about which shirt he is going to wear when he meets Aung San Suu Kyi, I get very moved. He rightfully doesn't get nervous going to a movie premiere; he gets nervous going to meet her.
Garth Fundis is a song guy. He is in it for the right reasons; he's about the music. He doesn't ever try to talk you into recording something that you shouldn't. He gets it.
What is tragic today is that there is a number of Muslims who think that all the solutions are to be found simply by external actions. They don't have to do anything within themselves. This is a deeply Western idea - modern, Western idea, where you try to improve the world without improving yourself. And this is what the Muslims who talk about others putting their heads in the sand and that "We are doing jihad and we are political" and so forth, they are emulating a very important mistake of modernism.
I get so nervous on stage I can't help but talk. I try. I try telling my brain: stop sending words to the mouth. But I get nervous and turn into my grandma. Behind the eyes it's pure fear. I find it difficult to believe I'm going to be able to deliver.
Plotinus, when he thinks about mind or intellect, the Greek word is 'nous', he thinks about something that's very different, it's much more elevated and special, more abstract, you might say more philosophical than the very broad range of mental events that we talk about in contemporary philosophy of mind.
I think the good thing about Macklemore is that he is very precise about what he gets involved in. As you can tell, he's very passionate about what he puts his name on, because he talks about things people don't usually talk about, and his concepts are very, very passionate.
The bad news is that Iran wants to talk about everything except their nuclear program. They want to talk about regional cooperation, they want to talk about the sanctions issues, and it seems like the western powers want to talk about nothing more than the nuclear issue.
When you try to attain something, your mind starts to wander about somewhere else. When you do not try to attain anything, you have your own body and mind right here.
In Buddhism it is a heretical view to expect something outside this world. We do not seek for something besides ourselves.
It's interesting when you talk to someone who has really been through something very, very terrible. They are less likely to talk about it. People who have had a bad day because their soup was cold can talk about their 'suffering' all day long.
I consider myself something of a self-taught anthropologist. I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
It really made me nervous to write about it [Holocaust] and to approach it, because I was nervous about how to do it respectfully, and I was also thinking about how I could add something new to something that had already been so explored.
I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
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