A Quote by Terence McKenna
Part of what being involved in the psychedelic experience is about is reclaiming your own experience.
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The psychedelic experience is the beginning of the spiritual path. That's why it's not important that yogas' claim that they can deliver you the psychedelic experience, because it begins with the psychedelic experience, and then you go from there.
It's my belief that one of the unconscious reasons which underlies the odd attitude of the establishment toward hallucinogens is the fact that they bring the mystery to the surface as an individual experience. In other words, you do not understand the psychedelic experience by getting a report from Time magazine or even the Economist. You only understand the psychedelic experience by having it.
The Gaian mind is what were calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet - and without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set.
The central point about the psychedelic experience is the content of the experience. And this has been occluded or obfuscated by the behavioral and statistical and scientific methods that have been brought to bear to study hallucinogenic experience.
The sine qua non for obtaining a psychedelic experience is humbling yourself to the point where you admit that you must submit to the experience of the plant or the drug. This act of surrender is the major technical function you will be called upon to perform during the psychedelic trip.
We have the tools, the intellect, the will to create a caring global culture. It isn't going to come without a recognition of the power of the psychedelic experience. The psychedelic experience is the birth right of every human being on the planet. It is as much a basic part of each and every one of us as our sexuality, our national identity, our consciousness of self. And any society which attempts to hold back or impede this dimension of self-expression, when the history of that society is written, it will be called barbarous.
I had a great time cheering for the team that I grew up idolizing and watching. The best part about the experience was the friendships I made and being part of an organization that is so involved with the community.
I don't believe anyone can go through the prison experience without being changed by it. The experience becomes part of your identity forever.
To me, the psychedelic experience is the experience of trying to make sense of reality.
With the audience, I always say it's about giving the people an experience. And what the experience is about, it transcends just the music, and genre, and the venue. It's about the people coming together to share a profound and transformative moment. So that means the listener is actively engaged, and the listener is a part of the show, they're a part of the experience.
I want to be able to experience everything. I want to experience being a husband, experience being a father, experience, maybe, hopefully, someday being a grandfather, and all those things. I want that experience. When I die, I want to be exhausted.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
Being a part of 'Empire' was a wonderful experience and opportunity to work with everyone involved.
The experience with 'The Knick' is a singular experience. That experience taught me a lot about acting and about being on camera for extended periods of time to try to create a character arc that travels.
Casting is really a black art. It's a huge part of directing and it's the most invisible. It's one that people don't really think about or talk about. But you can really destroy your movie by casting it badly before you've shot a foot of film. And yet there are no guidebooks for it, there's no rule book to tell you how to do it. It's all your own experience and your own sensibility and your own intuition.
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one. The transcendent aspect of the psychedelic experience is totally absent.
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