A Quote by Terence Nance
Maybe I just have a different line than other people in terms of where my personal emotional space becomes public and private. There's almost nothing I wouldn't tell somebody about my quote - unquote "personal life" if they asked in any conversation. There's nothing I've done or said that's that great. I don't see anything I've done to be that different than any other normal person.
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People probably long for something genuinely personal in a society where the personal is often indistinguishable from the "personalized." Maybe the poetry audience member is searching for his or her own "personal space" and they expect the poet to be a sort of avatar of the private life. But that sort of representation is distasteful to me. Asking a poet to represent the personal life is, paradoxically, to turn the poet into something other than a person.
I relished the sweet sense of keeping a unique secret in my mind - a wonderful magical universe that I could go to any time, any place, and no one had to know. It was my personal place, better than any I've read about in any other book. And when I wrote, I was in the process of pulling that personal universe out of nothing and into the cold reality of the greater world.
Sometimes I do feel exposed. I have this kind of theory about different channels or levels of relaying experience - when I tell someone, one on one, in a personal context, about something that's happened to me - that has a very different valence, a different charge, than when/if I've said it in a public forum.
After I began working, I realised there's no end line. I believe that money has nothing to do with your personal success. On the face of it, I'm the biggest capitalist of all. I have all the riches. I'm the living proof of what stardom should be in material terms. But I've never sold my soul. I've not done anything which I didn't want to do. I've not done films for money. I'm not saying this with arrogance but I've never asked for a film.
It's definitely been a conscious decision to seek out roles that are different, in any way, from anything that I've done, just to prove to myself that I can do it and to challenge myself. If I can, then great, it will open up those doors and just prove to other directors and peers that I am, in fact, available for things other than comedy.
This is more a personal quibble of mine, but why do you hate freedom? Why do you hate the fact that other people want a chance to live their lives and be happy, even though they may believe in something different than you, or act different than you? How does gay marriage, in any way shape or form, affect your life?
Nothing has done more to bring people of different races and different backgrounds together than athletics, certainly more than politicians have done. It's why the Greeks invented the Olympics.
[Working with survivors] it's just a whole different level of concern and that is something that was categorically different working on this film than any other project we had done.
I'm sure that there's frustration that comes with wanting to just have a normal mom. But, I don't really know if they see it as any different than any other problem you might have with a parent. I think everybody can think about one thing that their parents used to do, all the time, that would embarrass you.
Life of an actor is not his or hers: it's everyone's life. Nothing is private; nothing is personal. If you're doing great in terms of work, that's the price you've to give.
From Wall Street to Drive was almost a year, when I didn't do anything 'cause there was just nothing that was significantly different from the things I'd done before. There was just nothing to explore.
These artists all have some kind of message to the public. These messages can be quite personal, maybe about their own existential situation, and it can be about suffering, it can be about questioning of one's existence and so on. They are all telling us very genuine stories, which are touching us in different ways and they are enlightening in different ways. But it's not only the stories themselves, but it's how it is done - that creates the impact of the story. It is not what is said but how it is said. I don't think you can dissociate the content from the form.
There's an idea that action movies are more attractive to one gender than the other or different kinds of people or whatever. The truth is action is not any different than any other part of a story.
A drone isn't any different than a bomb; it's not any different than other weapons that are used, where there is always a capacity for people to be killed who you wished were not. It's just the weapons platform.
One of the interesting things about Twitter is looking how famous people choose to use it. Take someone like Steve Martin, who I follow: it's all sorts of comic gems, nothing private, nothing personal - all jokes. Other celebrities are overtly personal - like Charlie Sheen. I do a mix of observations and updates.
These days, more than any other time, we are worried about our personal life, our private life. When we talk about our private life, it means our home, our body even. It seems that when we want to have calmness in this world, we make a wall around us. This gives us a very calm environment, and when we feel that somebody is intruding into that, it makes us very angry and we feel we have to do something about it.
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