A Quote by Terence Stamp
I was very disappointed that so much of the work I did on The Haunted Mansion didn't arrive in the final cut.
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When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
I still go to Disneyland as much as I can. The Haunted Mansion is my favorite ride.
The thing I realized about final cut is it's the power of the best cut. I didn't have final cut on 'Prisoners,' but what you saw is the best cut. 'Sicario' is a directors' cut. 'Arrival' is a directors' cut.
I was very disappointed, very disappointed when President [George W.] Bush proclaimed Kwanzaa as a national holiday. Prior to that, Bill Clinton did the same thing.
Final cut is overrated. Only fools keep insisting on always having the final word. The wise swallow their pride in order to get to the best possible cut.
As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
I could cut silhouettes almost as soon as I could manage to hold a pair of scissors. I could paint, too, and read, and recite; but these things did not surprise anyone very much. But everybody was astonished about the scissor cuts, which seemed a more unusual accomplishment. The silhouettes were very much praised, and I cut out silhouettes for all the birthdays in the family. Did anyone warn me as to where this path would lead? Not in the least; I was encouraged to continue.
I did undergo hypnotherapy, and it didn't work! The guy couldn't put me under. I was very disappointed. I was very keen to be suggested, to have somebody tell me to run naked or cluck like a chicken or whatever, but it didn't work for me, I'm afraid.
They say now in America that final cut doesn't mean anything. As Harvey Weinstein said to some film-maker, 'You can have final cut. I'll open your film in Arkansas.'
The film [ Wyatt Earp and the Holy Grail] was shot on a KODAK Zi8 camera as well as on multiple camera phones. It was processed using the effects of FINAL CUT X and then edited in FINAL CUT 7.
But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.
We are born haunted, he said, his voice weak, but still clear. Haunted by our fathers and mothers and daughters, and by people we don't remember. We are haunted by otherness, by the path not taken, by the life unlived. We are haunted by the changing winds and the ebbing tides of history. And even as our own flame burns brightest, we are haunted by the embers of the first dying fire. But mostly, said Lord Jim, we are haunted by ourselves.
I would have to say that I’m haunted. I’m haunted by everything that drives me. I want to do great work. I need to do great work. I won’t be satisfied unless I do great work.
Honest work is much better than a mansion.
I don't know whether I'm misanthropic. It seems to me I'm constantly disappointed. I'm very easily disappointed. Disappointed in the things that people do; disappointed in the things that people construct. I want things to be better all the time.
The thing about TV is that it's great work for directors because the responsibility is not ours at all. In a movie, you choose a movie, and everybody points his or her finger at you afterward. It doesn't matter how much influence you had on the script, how much decision you had, or the fact that you didn't have final cut.
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