A Quote by Terence Trent D'Arby
I always say that at some times you can lose perspective.
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I was always raised as a student first and an athlete second. I think that's the main purpose in college. Some athletes lose that perspective.
Real love is always chaotic. You lose control; you lose perspective. You lose the ability to protect yourself. The greater the love, the greater the chaos. It’s a given and that’s the secret.
The problem with some stars is that they lose perspective about correct adult behavior. People laugh at everything they say and do. Nobody says, 'Chill out, man. That's out of line.'
Every opera, because every opera is a unique slice of a particular perspective, historical perspective and psychological perspective if not musical style, and so forth, they all present different challenges. Some can be musically very challenging, some can be psychologically more challenging. There is always something that requires a pretty specific amount of energy and attention.
Ultimately, when I deliver something, a lot of times it will be from a black woman's perspective, but other times it will be just from a satirical, goofy perspective.
You can actually take your pain and processes it into some kind of form of art. So I mean, I've easily always been able to do that, but also I've always been able to give myself perspective - or, you know, older people always give you perspective.
It is important as a bowler that you always need to have a presence. If you lose that you lose quite a bit, a big part of your armoury. It comes naturally with me, and at times it is a huge advantage. I don't want to lose it. I want to keep getting wickets.
For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.
I fell like a lot of times, when I write a song, it is coming from an introspective perspective that my faith always kind of factors. Faith is either part of what factors in to my decision making, or it is part of what factors into my fears and my doubts. It is either the positive or the negative part of it that is afflicting me during times of conflict, which is normally when you write songs about yourself when you find some sort of conflict or you are seeking some sort of resolution.
Some people would say having a feminist perspective is political, but I don't think it is. I think it's just having a female perspective.
This is my perspective and has always been my perspective on life: I have a very grim, pessimistic view of it. I always have, since I was a little boy. It hasn't gotten worse with age or anything. I do feel that it's a grim, painful, nightmarish, meaningless experience, and that the only way that you can be happy is if you tell yourself some lies and deceive yourself.
What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.
Some losses are harder to take than others. You can lose and play well. It is when you lose and don't do the things you worked on and don't do what you say you would that is difficult.
Some people remaster their records six, seven times, remix it three, four times, spend a million hours, then they always go back and hear a demo of it and they'll say, 'Aw that sounds so much better than the final mix.'
First of all, let me just say what's interesting about American politics is that if things really get bad here, people say nasty things about you. From a global perspective, if politics get bad, you die, so let's just keep some perspective here.
Embedded in 'The New York Times' institutional perspective and reporting methodologies are all sorts of quite debatable and subjective political and cultural assumptions about the world. And with some noble exceptions, 'The Times,' by design or otherwise, has long served the interests of the same set of elite and powerful factions.
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