A Quote by Terence Trent D'Arby
The artist is inherently a romantic to some degree, and as such, I believe in a muse. But I don't try to analyze too much where it comes from.
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We want to believe. Young students try to believe in older authors, constituents try to believe in their Congressmen, countries try to believe in their statesmen, but they can't. Too many voices, too much scattered, illogical ill-considered criticism.
I'm romantic to some degree, if I really like somebody. I'm more romantic if there's someone that I like than I am a romantic just for romantics sake.
Some people are afraid of what they might find if they try to analyze themselves too much, but you have to crawl into your wounds to discover where your fears are. Once the bleeding starts, the cleansing can begin.
In spite of its romantic frisson, the position of muse is very vague and largely thankless for the muse herself.
It's an organic thing that I try not to analyze too much, because I worry that it will go away.
The artist-muse relationship is romantic and passionate, and complex, and I would imagine that would be a hard relationship to have if you're not with the person. It requires so much of each other, you have to be in love with each other.
I believe that the artist's feelings are in some way generative. And I suspect that much of the artist's most productive emotion - not all of it but much of it - is felt in the course of playing around with form.
I'm truly, 100% guided by the characters and my Muse. If one of the characters suddenly decided to do something very different, I'd just go with it. It's much easier to let the Muse drive than for me to try to steer.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
Oh I believe in loving cats and dogs and children and parents – sometimes – but I don’t believe in romantic love. Of course, there’s the momentary rush of hormones and chemicals that encourages us to mate, but it’s biology – it’s no more inherently mystical than the nicotine in that cigarette you’re smoking
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
I didn't have time to be anyone's muse... I was too busy rebelling against my family and learning to be an artist.
I didn't have time to be anybody's muse; I was too busy rebelling against my parents and learning to be an artist.
Ressentiment is always to some degree a determinant of the romantic type of mind. At least this is so when the romantic nostalgia for some past era (Hellas, the Middle Ages, etc.) is not primarily based on the values of that period, but on the wish to escape from the present. Then all praise of the “past” has the implied purpose of downgrading present-day reality.
I really don't see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I'll certainly try to forget the fact.
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