A Quote by Terence Winter

If I hear an interesting turn of phrase on TV, I'll repeat it back - I just like to roll it around on my tongue. The same goes for dialog: I'll either speak it aloud or whisper it. I definitely sit in front of my computer and mutter. People have mentioned it.
The only thing better than good English writing is - I can't think of anything. You just don't pour it pureed over your potatoes. You savor it as if it were a find chardonnay. What on Earth does it matter if you stop and repeat a phrase, roll it around on your tongue, dart a few lines ahead and then suddenly come back and reread it? If the phrase is good enough, you are supposed to stop and rejoice in it.
The passion you forbade my lips to utter Will not be silenced. You must hear it in The sullen thunders when they roll and mutter: And when the tempest nears, with wail and din, I know your calm forgetfulness is broken, And to your heart you whisper, "He has spoken."
You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. ... You put a piece of paper in the typewriter, or you turn on your computer and bring up the right file. ... You begin rocking, just a little at first, and then like a huge autistic child. ... Then your mental illnesses arrive at the desk like your sickest, most secretive relatives. And they pull up chairs in a semicircle around the computer, and they try to be quiet but you know they are there with their weird coppery breath, leering at you behind your back.
I do have a huge problem, a huge problem. In fact, worse than watching is hearing. I cannot stand to hear my own voice. When it's coming out of my mouth right now it sounds fantastically interesting to me. It's rich in light and shade, it goes up and down. But when I hear it either on TV or even on someone's answering machine, I just sound like I've had half my brain removed.
Technology has just been the major progression of the last 15 years - instant communication. That stuff has gone so global. That's what's interesting about it. When someone sits down in front of a computer, it's the same everywhere in the world, and it's the same screen looking back at you with the same Google, and there's no individuality to it. So I decided it would be kind of visually uninteresting to have in my films.
Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.
I want to turn my attention to movies about love relationships. Exploring the female psyche - there ought to be some interesting discoveries there. Love stories. If you do it right, people want to hear romantic dialog.
I like to just hear people talking and TV is a quick way to hear different periods and genres. It's just interesting to me. I'm pretty easily amused with that kind of stuff.
It was interesting to write ad films and scripts for TV shows before I moved on to writing a feature film. That helped me grow as a writer, and I also found out how long I could sit in front of a computer and see something through.
I think, in terms of looking at the trajectory and being around some of the same people, it's certainly flattering words, but I definitely have not done enough to be mentioned in the same sentence as Coach Payton.
I can pick up a screenplay and flip through the pages. If all I see is dialog, dialog, dialog, I won't even read it. I don't care how good the dialog is - it's a moving picture. It has to move all the time... It's not the stage. A movie audience doesn't have the patience to sit and learn a lesson. Their eyes need to be dazzled. The writer is the most important element in the entire film because if it ain't on the page it ain't going to be on the screen.
There's definitely a voice and I always speak my work aloud. I have a lot of old people in my head, most of them dead now, but I always hear how they would say things, my grandparents and my neighbors.
When I was little, when I was a kid, I used to sit in front of the TV and just say what the TV says. It's how I got good at imitating people.
You're either singing on TV or in front of a full cathedral and there's a bit of pressure there. I know it sounds funny but if you get used to doing it, then performing in front of people playing cricket is the same sort of thing.
It’s difficult to ever go back to the same places or people. You turn away, even for a moment, and when you turn back around, everything’s changed.
I know how to turn it on [computer]. I know where the disc goes: in that little slot but I can't always get it out. And I have three genius-level computer savvy kids who save my ass all the time. I'll tell you what I don't do. I don't watch the news on TV anymore. I get my news online. And like all of you, I Google whoever I want.
This site uses cookies to ensure you get the best experience. More info...
Got it!