A Quote by Teresa de Lauretis
But one did not do feminist theory, as such, in those days, not only because male academic discourse did not recognize such a term, but especially because the women's movement did not either.
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But one did not do feminist theory, as such, in those days, not only because male academic discourse did not recognize such a term, but especially because the womens movement did not either.
There has to be spiritual transformation among the masses, who have to be willing to recognize that their oppression is not a law of nature. That's what Latin American bishops were doing when they formed base communities. They were trying to get peasants to recognize that you can take your fate into your own hands. That's what the civil-rights movement did here. That's what the women's movement did.
It occurred to me that there have always been selkie women: women who did not seem to belong to this world, because they did not fit into prevailing notions of what women were supposed to be. And if you did not fit into those notions, in some sense you weren't a woman. Weren't even quite human. The magical animal woman is, or can be, a metaphor for those sorts of women.
One absolutely crucial change is that feminist film theory is today an academic subject to be studied and taught. "Visual Pleasure and Narrative Cinema" was a political intervention, primarily influenced by the Women's Liberation Movement and, in my specific case, a Women's Liberation study group, in which we read Freud and realised the usefulness of psychoanalytic theory for a feminist project.
Men ruled the roost and women played a subservient role [in the 1960s]. Working wives were a rarity, because their place was in the home, bringing up the kids. The women who did work were treated as second-class citizens because it was a male-dominated society. That was a fact of life then. But it wouldn't be tolerated today, and that's quite right in my book... people look back on those days through a thick veil of nostalgia, but life was hard if you were anything other than a rich, powerful, white male.
Postmodernism is an academic theory, originating in academia with an academic elite, not in the world of women and men, where feminist theory is rooted.
Nothing we did in those days has caused a change." "Because of what we did, things remained as they were, rather than getting worse," I told him.
It is obvious that many women have appropriated feminism to serve their own ends, especially those white women who have been at the forefront of the movement; but rather than resigning myself to this appropriation I choose to re-appropriate the term “feminism,” to focus on the fact that to be “feminist” in any authentic sense of the term is to want for all people, female and male, liberation from sexist role patterns, domination, and oppression.
The Christian ethic did not raise the worth of female life much above the Jewish: nor did the clinical ethic raise it much above the clerical. This is why most of those identified as witches by male inquisitors were women; and why most of those diagnosed as hysterics by male psychiatrists were also women.
I did it at night because I loved it. I never did it to make money, as a job. I just did it because I had to.
The media cannot come separate [Donald] Trump from his supporters. Only Trump can do that. They're trying, they're gonna keep trying because they think they can. They did it with [George W.]Bush. They did it with [Mitt] Romney. They did it with [John] McCain. They did it with Bob Dole.
I'm responsible for what i did. I'm not responible for what every black male did. Yes! I call myself a THUG, because i grew up in the ghetto. And im still standing.
What Richard and Mildred Loving did was, by their nature, not by any calculus, they separated themselves from the political conversation. They did not have an agenda. They did not want to be martyrs. They did not want to be symbols of a movement.
At one point, 'feminist' became a pejorative term. How did that happen? If you're a feminist, you're basically saying you're a humanist.
The hardest work that actors have done, including myself, is on poorly written scripts. And when you first start out you do anything. I did a lot of crap. I did more crap than I can tell you. But you did it because you needed the money. You have to pay for your pictures and resumes, and classes and insurance and food like everybody else. In those days if it was crap you just didn't put it on your resume.
When I did The X-Files, there was certainly less of that because the script was as it was and it was such a wonderful script and it was quite complex and there wasn't a hell of a lot of improvising I could do to bring to the table, but I guess what I did bring was a sense of self and that the reason I was cast was because I did come across as someone who possibly was only human for a short time.
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