A Quote by Teresa Giudice

You've got to have thick skin in this business. — © Teresa Giudice
You've got to have thick skin in this business.
I have pretty thick skin, and I think if you're going to be in this business, if you're going to be an actor or a writer, you better have a thick skin.
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
If your friend is critical [of your work], you have to have a very thick skin and a thick skin is something that only builds up after it's callused for awhile.
Having a thick skin doesn't mean that you're hard or harsh. I was lucky because I was born with a thick skin. That doesn't mean that things don't bother me, but you have to keep it in perspective.
You have to have a very thick skin to run a business.
I've got a thick skin.
I've got thick skin.
In Chicago, I'd audition 3-4 times a week, but when I got out to L.A., there were, like, 4-5 a day, and my skin got really thick.
In this business you have to develop a thick skin, but I'm always going to feel everything. It's my nature.
I've got thick skin and an elastic heart.
I've been in the entertainment industry - wresting, but the entertainment industry since 1989; if you have thin skin, you're going to have a tough time in this town, but I've got thick skin.
What I do is sometimes - at least in Germany - met with wounding campaigns. I always face the question: should I grow myself a thick skin and ignore it, or should I let myself be wounded? I've decided to be wounded, since, if I grew a thick skin, there are other things I wouldn't feel any more.
I think that it is important that one grows a thick skin fast in this business, and I think we have done that.
What's weird about the cinema business is that you have to have a thick skin while remaining vulnerable as an artist. It comes with time. You get dumped, your heart gets broken.
You have to have a thick skin, yes. If you're going to do something as foolhardy as standup, you've got to be able to take it on the chin if someone has a go at you.
You have to have a thin skin. As a creative person, you have to. You can't get a thick skin.
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