A Quote by Teresa Giudice
Whether you like it or not, with me, what you see is what you get.
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I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.
In the Bible, ordination - I don't see that in the Scripture. In the Bible, it's whether you're filled with the Holy Spirit, whether you're anointed by God, whether you're called by God, whether you're obedient to Him. I want to be those things, but I don't see any purpose for me in being ordained.
It's easy to get jaded. It's easy to get lazy. It's easy to get too self-centric, like, 'Why me? What about my needs?' It has nothing to do with that. But you see, you are the thing you are selling whether you are a director or an actor in this business. It's very tough. The town doesn't realize that its greatest resource is its people.
I get a lot of comics, and I can look at a comic and tell immediately whether I'll enjoy it or not. There are elements in the stories that I have no rapport with. I see dirty language, I see sleazy backgrounds; I see it reflected in the movies, the movies are comics to me. And I don't see a sleazy world. I see hope. I see a positive world.
I would like to play some character that's somewhat dramatic. I don't see myself ever becoming that serious, or it sounds weird, but I don't see myself doing something that's really dramatic but somewhat dramatic. I would like to do something that's more real and doesn't have to be laugh out loud funny. I always like whatever I'm involved in... whether it be funny or whether it be somewhat like... I'm not gonna try to get people to really cry.
When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy.
What concerns me when I work, is not whether the picture is a landscape, or whether it's pastoral, or whether somebody will see a sunset in it. What concerns me is - did I make a beautiful picture?
With movies, you get to be in a bubble while you're creating it, and it's not until it comes out that you see whether people like it or not.
When I watch a film, I watch it as an audience instead of thinking as an actor or an intellectual. I see whether it made me laugh, get involved or shocked me at certain points. Something has to stir inside me.
People see everything through a filter of them, of their own selves. And it's like, you can't be depressed because somehow that has something to do with me. And it's like - no, it doesn't. This is my brain. This is my body. These are my emotions. It's got nothing to do with you. You don't want me to get help for whatever reason you don't want me to get help. But I'm out here, and I need to get help.
For me, I look at the faces of my kids and I think about the future that is going to await them and whether they're going to not just have the financial resources to be prepared for the challenge, but whether they're going to have the strength and the stamina to live healthier, longer lives so that they can see their kids and grandkids. That's the legacy I hope to see, and it can have nothing to do with me and I'd be perfectly happy.
That's the one thing I probably don't like about politics - the focus on the individual. To me, it's more important to get it done, whether I get the credit for it or not.
There is nothing -- absolutely nothing -- half so much worth doing as simply messing about in boats. In or out of 'em, it doesn't matter. Nothing seems really to matter, that's the charm of it. Whether you get away, or whether you don't; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you're always busy, and you never do anything in particular; and when you've done it there's always something else to do, and you can do it if you like, but you'd much better not.
Whether or not I can get an interview from hip-hop media, that's not going to effect whether or not I can go on tour in Asia and Europe and see all of these different places and experiences.
I could see that I was losing weight and sometimes I'd see a few good comments and that spiralled me to be like: 'This is how I need to stay.' No one cares whether your performance was good, or if you sounded great.
Do you ever wonder whether people would like you more or less if they could see inside you? But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?
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