A Quote by Teresa Medeiros
As all-consuming as a young girl's fancies were ... a woman's desires could be twice as dangerous.
Related Quotes
If we could be twice young and twice old we could correct all our mistakes.
This is the question I'm asking: Do Americans live twice as long because they consume twice as much energy as Europeans? Are you people twice as smart as the average Frenchman? Do you enjoy life twice as much as the average Danish guy? What have we gotten for consuming twice as much energy as Europe? What have we gotten in return?
A woman can't be, until a girl dies. . . . I mean the sprites that girls are, so different from us, all their fancies, their illusions, their flower world, the dreams they live in.
The Flash could do everything twice as fast. Except you never saw him think twice as fast or speak twice as fast. Could he do math faster than the other superheroes? Could he compute the tip for the bill twice as fast?
Growing up in the '70s, if you were a girl or woman, a man could tell you what to do - if you were sitting on the bus: 'Get up,' 'Move,' whatever. You did what you were told.
For me, 'I Am Woman' is all about transition. I turned 21 in December, so I'm not completely grown up yet but I'm not a little girl anymore. Just in that in-between stage. The song is everything I have ever heard a woman say. I loved this song for me and every young lady, girl and woman to be able to feel empowered in being female.
Why did you say you believed me ?" In profile, he could see both the young woman she was becoming and the little girl he remembered. "Because I trust you.
I went to all-girls' schools my whole life, so every model of leadership that I saw was a young girl or a woman, and so there was never any hesitation that women could lead. I know what I believe.
I was never a dangerous woman. I'm not the prissy blonde woman that could take your husband away.
When I look in the mirror I see the woman I knew I wanted to be as a child. When I was a young girl, I had a vision of the woman I wanted to be. And I often reached out to women of color in America for inspiration. My mother would regularly buy Essence and Ebony. I would look at those magazines filled with images of professional, intelligent women of color who knew who they were, who enjoyed who they were, and who were surrounded by other people who enjoyed who they were. When I look in the mirror, I'm really glad that that's what I see today, but it took awhile to get here.
Every time you have a desire, in a certain sense you have a goal, something you would like to be, do, or have. Some desires are merely passing fancies, but others stay with us and go deeper. Our desires and our goals give us direction and focus. They help point us down our path of action in our life.
Why were my visitors so secretive, hiding themselves behind my consciousness. I could only conclude that they were using me and did not want me to know why...What if they were dangerous? Then I was terribly dangerous because I was playing a role in acclimatizing people to them.
Having a boy play a girl (and when I say 'play a girl' I don't mean that he is represented as a girl, because he is represented as a young man) is complicated. He knows he's looking at photographs of a girl and copying those poses. So the audience sees him as a man, but he can only see himself as a woman, because that's the model he's looking at. It was a really interesting exchange.
Like the music and the period, I wanted 'I'm Not There' to be fun and full of emotions, desires and experiments that were thrilling and dangerous.
Plainly, she is quite besotted by him,... a girl, a young girl, and she is falling in love for the first time in her life. ...little Kitty Howard at a loss, stumbling in her speech, blushing like a rose, thinking of someone else and not herself is to see a girl become a woman.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
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