A Quote by Teresa Medeiros

I've always said a romance hero can be deeply flawed... as long as he's willing to rush into a burning building to rescue a basket of kittens. — © Teresa Medeiros
I've always said a romance hero can be deeply flawed... as long as he's willing to rush into a burning building to rescue a basket of kittens.
Wow. What'd he do to deserve that? Rescue orphans from a burning building? If so, you might want to make sure he didn't set the building on fire in the first place.
If your goal is to produce firefighters and rescue workers, you have to produce people willing to enter burning buildings.
Readers will stand up and cheer for Karen Fox's Prince of Charming! Finally, a heroine who's a real woman. Finally, a hero who knows what a rare find she is! Finally, a book for us all to adore! Thank you Karen Fox for creating the most lovable hero romance has seen in a long, long time!
They might be kittens," she said hopefully. "They're stalking us." "They might be shy." "I don't think it's kittens, Valkyrie." "Puppies, then?
Let's say there was a burning building and you could rush in and you could save only one thing: either the last known copy of Shakespeare's plays or some anonymous human being. What would you do?
For the most part, romance is written in third person, and it's written in multiple points of view, so you're in the hero's head, and you're in the heroine's head. I've always said that I'm more of a narrator than a creator.
I've always said if I could own one piece it would be Vermeer's The Love Letter, and if I could put it anywhere it would be in a David Chipperfield building. I'm almost there with the building - Chipperfield is building a new house for me in London. The Vermeer is a long way off.
I am flawed, deeply flawed. I didn't invent the [doping] culture but I didn't try to stop the culture and that's my mistake, and that's what I have to be sorry for.
I think, generally, the flawed anti-hero is much more interesting than the normal hero, and that's really what we're talking about here as it relates to outlaws or renegades.
It's OK to have your eggs in one basket as long as you control what happens to that basket.
If you are going to do large-scale invention, you have to be willing to do three things: You must be willing to fail; you have to be willing to think long term; and you have to be willing to be misunderstood for long periods of time.
I'm saying to be a hero it means you step accross the line and are willing to make a sacrifice, so heroes always are making a sacrifice. Heroes always take a risk. Heroes always deviant. Heroes always doing something that most people don't and we want to change - I want to democratise heroism to say any of us can be a hero.
I'm saying to be a hero is means you step across the line and are willing to make a sacrifice, so heroes always are making a sacrifice. Heroes always take a risk. Heroes always deviant. Heroes always doing something that most people don't and we want to change - I want to democratise heroism to say any of us can be a hero.
The hero of a mainstream stand-alone novel can get by with things the hero of a sweet traditional category romance wouldn't dream of doing.
I'm not perfect, I'm a flawed man, but I'm willing to try to get better, I'm willing to listen.
[Elizabeth Moon's] antagonists are always evil moustache-twirlers. She could write a book about a golf open and the main rival to the hero would turn out to have clubs made from compressed kittens.
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