A Quote by Teresa Ruiz
Also, what I like about it is that the villains in 'Narcos' are not just only the drug dealers, but it also poses the question of what part does the government have in the problem, and the corruption in it? I think it's a very important question to ask as a society.
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And one day we must ask the question, "Why are there forty million poor people in America?" And when you begin to ask that question, you are raising questions about the economic system, about a broader distribution of wealth. When you ask that question, you begin to question the capitalistic economy.
A girl has to worry about financially securing her future. There is also the question of marriage. Whether to continue playing after marriage is another question. That is why a job is very important for a sportswoman so that she is able to play without worrying about such things.
What does it mean to be an American today? The question of that is always pointing at now. It allows someone to say what lens that will be through. A lot of my work has been about identity in different ways. Part of that for me falls into the question of gender identity certainly but also about what it means to be an American theater artist.
In movies, we've run out of ideas for bad guys. We end up with politically incorrect villains, like Arab terrorists or Latin drug dealers or corrupt politicians. Well, aliens are the best film villains since the Nazis. You don't have to worry about offending anyone.
I think morality is more important than ever before. As we gain more power, the question of what we do with it becomes more and more crucial, and we are very close to really having divine powers of creation and destruction. The future of the entire ecological system and the future of the whole of life is really now in our hands. And what to do with it is an ethical question and also a scientific question.
I think there is, not in the sense that I enjoy it, but that it's an important question. It's the question, "Does the presence of pain mean God doesn't care? Does God not love me anymore?" I think that's a very common connection we tend to make.
Here's what I wish people wouldn't ask me: "Who are your influences?" That's a boring question. It's not even like, "What's it like to be a woman in comedy?" That question also happens often in interviews, but I at least understand where it's coming from. "Who are your influences" - I wonder if people ask that of male comics? Maybe they do.
Look at every path closely and deliberately. Try it as many times as you think necessary. Then ask yourself and yourself alone one question. This question is one that only a very old man asks. My benefactor told me about it once when I was Young. And my blood was too vigorous for me to understand it. Now I do understand it. I will tell you what it is: does this path have a heart? If it does, the path is good. If it doesn't, it is of no use.
It's important to be able to simply ask the questions. Every single advance in science comes about because of courage to ask a question, an outrageous question. Like "Can a large heavy metal object fly if it goes fast enough with the right design?" People's worldviews are changed when they see that something unbelievable is possible. Airplane flight is now taken for granted. And so all wonderful advances start with an outrageous question.
Good historians, I suspect, whether they think about it or not, have the future in their bones. Besides the question: Why? the historian also asks the question: Whither?
I think there is, not in the sense that I enjoy it, but that it's an important question. It's the question, "Does the presence of pain mean God doesn't care? Does God not love me anymore?" I think that's a very common connection we tend to make. I see that a lot in my own life and in the lives of others.
[T]he truth is that drug addicts have a disease. It only takes a short time in the streets to realize that out-of-control addiction is a medical problem, not a form of recreational or criminal behavior. And the more society treats drug addiction as a crime, the more money drug dealers will make "relieving" the suffering of the addicts.
The question I'm always asking myself is: are we masters or victims? Do we make history, or does history make us? Do we shape the world, or are we just shaped by it? The question of do we have agency in our lives or whether we are just passive victims of events is, I think, a great question, and one that I have always tried to ask.
What is it about animation, graphics, illustrations, that create meaning? And this is an important question to ask and answer because the more we understand how the brain creates meaning, the better we can communicate, and, I also think, the better we can think and collaborate together.
Question of "Where We Begin" turns to be not only a formal question but also a question central to the attempt to make sense of things about which it is very difficult to make any sense - illness, death, despair, suicides, cruelty, the various troubles love can provoke, our inability to really know one another when we our inner selves are walled off by our bodies.
Injuries are not only a physical question, which is the most important thing, of course, but also a question of your mind. If you're thinking: 'I'm not going to make it', 'I can't cope', 'it hurts', 'it's never going to get better', then it won't.
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