A Quote by Teri Garr

I resent it when they write the part of a woman who's just a sexy femme fatale who seduces people to ger her way, perpetrating the myth that that's how woman have to operate, instead of using their brains or their wit.
Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses woman's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all of men's relationships with women.
Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.
How then can we account for the persistence of the myth that inside the empty nest lives a shattered and depressed shell of a woman--a woman in constant pain because her children no longer live under her roof? Is it possible that a notion so pervasive is, in fact, just a myth?
From woman, man is born; within woman, man is conceived; to woman he is engaged and married. Woman becomes his friend; through woman, the future generations come. When his woman dies, he seeks another woman; to woman he is bound. So why call her bad? From her, kings are born. From woman, woman is born; without woman, there would be no one at all.
We are born of woman, we are conceived in the womb of woman, we are engaged and married to woman. We make friendship with woman and the lineage continued because of woman. When one woman dies, we take another one, we are bound with the world through woman. Why should we talk ill of her, who gives birth to kings? The woman is born from woman; there is none without her. Only the One True Lord is without woman
A woman who knows that she doesn't have to get all decked out to look good is sexy. A woman who can make you feel smart with her conversation skills is also sexy. I believe the sense of humor is important.
A dress will never make a woman sexy, fatale, magnificent, mysterious. It's a way of walking, of standing, or existing, the way you give your hand or your regard. That's what makes the dress.
And I always had this idea for making a movie about a femme fatale, because I like these characters. They're a lot of fun, they're sexy, they're manipulative, they're dangerous.
Instead of asking, 'What should a woman do—what is her role?' it would be far more helpful to ask, 'What is a woman—what is her design?' and, 'Why did God place Woman in our midst?
Well, I'm not at all like the tough, sexy femme fatale in Confidence but it's fun to play people who're really different from you, from different cultures and places. I suppose I'm a bit quieter than most of the people I play.
It's important for all types of women to know that you don't have to fit a prototype of what one person thinks is beautiful in order to be beautiful or feel beautiful.... People think, Sexy, big breasts, curvy body, no cellulite. It's not that. Take the girl at the beach with the cellulite legs, wearing her bathing suit the way she likes it, walking with a certain air, comfortable with herself. That woman is sexy. Then you see the perfect girl who's really thin, tugging at her bathing suit, wondering how her hair looks. That's not sexy.
If a woman is bed-heady and it doesn't look put on, it's pretty sexy. But when a woman is wearing a really smart dress with great heels and her hair is pulled back, that's terribly sexy too - like an Audrey Hepburn kind of thing.
I always wanted to be a femme fatale. Even when I was a young girl, I never really wanted to be a girl. I wanted to be a woman.
Man is the one who desires, woman the one who is desired. This is woman's entire but decisive advantage. Through man's passions, nature has given man into woman's hands, and the woman who does not know how to make him her subject, her slave, her toy, and how to betray him with a smile in the end is not wise.
Stained is about a lonely bookshop keeper, and her past comes back to haunt her. I play a femme fatale, schizophrenic serial killer. They offered me the part and I was like, "I'm just curious why you thought I would be perfect for this role," and the director (Karen Lam) said, "You have this look that, when you're smiling, you're really sweet, but when you're not smiling, you look like you could kill somebody."
Every woman likes her own way, but no woman can endure to see another woman master even over a man who does not concern her.
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