A Quote by Teri Garr

My father died when I was 11. He was a vaudeville comedian. He worked in one movie, 'Ladies of the Chorus,' as Marilyn Monroe's father. — © Teri Garr
My father died when I was 11. He was a vaudeville comedian. He worked in one movie, 'Ladies of the Chorus,' as Marilyn Monroe's father.
I was 11 when my father died, so I didn't know my father so well.
Everybody who's played Marilyn Monroe before has gone down in flames. It's impossible to capture Marilyn Monroe.
I loved all the other movies, and I loved all the other movie stars, but I was very aware of the fact that I didn't look like Marilyn Monroe - although I still wanted to be Marilyn Monroe. Then Josephine Baker popped up, and she wasn't the maid - she was the star of the show. To me, it was mind-blowing.
When he died, I went about like a ragged crow telling strangers, "My father died, my father died." My indiscretion embarrassed me, but I could not help it. Without my father on his Delhi rooftop, why was I here? Without him there, why should I go back? Without that ache between us, what was I made of?
Do you remember when Marilyn Monroe died? Everybody stopped work, and you could see all that day the same expressions on their faces, the same thought: ‘How can a girl with success, fame, youth, money, beauty . . . how could she kill herself?’ Nobody could understand it because those are the things that everybody wants, and they can’t believe that life wasn’t important to Marilyn Monroe, or that her life was elsewhere
Miss Marilyn Monroe calls to mind the bouquet of a fireworks display, eliciting from her awed spectators an open-mouthed chorus of ohs and ahs.
I don't want to be Marilyn Monroe. In many ways, that's a good comparison. Because Marilyn Monroe was a sexpot, all that stuff that I have no interest in. For me, it's much easier to just try to make people laugh than to try to be the hottest thing in the world.
I wrote a novel called "Blonde," which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
I wrote a novel called 'Blonde,' which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
I loved the movies and I wanted to be like Marilyn Monroe. I thought she was so glamorous and everyone seemed to love her. I wanted to be like that and I told everyone I would be the next Marilyn Monroe.
When I was filming the Marilyn Monroe movie, I was listening to a lot of Leonard Cohen.
One of my favorite credits is to say that I worked behind Marilyn Monroe, and I love saying that. She was phenomenal.
I was very attached to my family when my father died. I was 19. I was about to go live with my father right when he died, so it was very intense.
Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life.
Ah, Marilyn, Hollywood's Joan of Arc, our Ultimate Sacrificial Lamb. Well, let me tell you, she was mean, terribly mean. The meanest woman I have ever known in this town. I am appalled by this Marilyn Monroe cult. Perhaps it's getting to be an act of courage to say the truth about her. Well, let me be courageous. I have never met anyone as utterly mean as Marilyn Monroe. Nor as utterly fabulous on the screen, and that includes Garbo.
My father ran a corner drug store where he worked night and day, seven days a week, until he died of a stroke. He literally worked himself to death.
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