A Quote by Teri Hatcher
I'm a woman who carries around all these layers of fear and vulnerability.
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I have to strip away all the layers when I'm writing the song. I have to cut through all these layers of years of putting up walls and putting protective layers around myself.
Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
A woman carries her clothes. But the shoe carries the woman.
I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.
There is great strength in vulnerability, as it takes courage to push through the fear and share one's true self with others. In music, that vulnerability really speaks to listeners as it connects with their own hearts.
If art made you think, then this was Art. Staring at the ball, made of layers and layers of cloth, I wondered about the glass marble at its heart. What if you wanted to reach that marble? Make sure it was still whole? You'd have to remove the layers. You'd have to risk breaking the ball for a chance at freeing it. Fear, knowledge, certainty - you'd have to be willing to let them all go.
The word 'cancer' carries with it enormous fear, fear for the future, fear for family.
When I think about women of color and their place politically in the world and culture... they've had two layers of just garbage to overcome. To me, a black woman is a woman-woman.
So just look into your acts, into your thoughts, into your feelings: you will find the armor everywhere. Wherever you see fear, you have created it. It was needed at one time - now it is no longer needed. A simple understanding that it is no longer needed... now it is a barrier, a hindrance, a burden. If you find something truthful, it will have its own validity. But in the armor you will not find anything that has any connection with truth. The whole armor is made of fear - layers and layers of fear.
I buried everything under layers and layers and layers of code, but the signifiers of my emotionality were there, for me.
I think that layers in music, whether it's layers juxtaposing emotions and feelings or layers of texture, make for a more interesting product.
The best antidote for loneliness, hopelessness, and fear is vulnerability: sharing your secrets and talking about what shames you, what you fear.
Although every organized religion works overtime to contribute its own brand of misogyny to the myth of woman-hate, woman-fear, and woman-evil, the Roman Catholic church also carries the immense power of very directly affecting women's lives everywhere by its stand against birth control and abortion, and by its use of skillful and wealthy lobbies to prevent legislative change. It is an obscenity-an all-male hierarchy, celibate or not, that presumes to rule on the lives and bodies of millions of women.
Revenge tries to solve the problem of vulnerability. If I strike back, I transfer vulnerability from myself to the other. And yet by striking back I produce a world in which my vulnerability to injury is increased by the likelihood of another strike. So it seems as if I'm getting rid of my vulnerability and instead locating it with the other, but actually I'm heightening the vulnerability of everyone and I'm heightening the possibility of violence that happens between us.
My biggest vulnerability now is my son, Hudson. I am often plagued with fear: Is he ok? Is he safe? I'm in the process of trying to work through this fear. It's a hard one.
It's heavy, but I am able to carry it. Why? Because I'm an African woman. An African woman carries heavy loads anyway. That's how we are trained; we are brought up that nothing is unbearable. I use that now, positively. I use that now to have the thick skin that I have, and not fear, and move forward, and push; and push forward.
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