A Quote by Terrance Hayes

Pittsburgh was the first chance to be in a classroom with other writers, to have conversations with other writers. In fact, after graduate school, I lived in Japan, Ohio and New Orleans, and only upon leaving Pittsburgh did I see what a special community it was for poets, so I was eager to come back. It's a strong arts community across the board.
I think things will work out for the greater good for not only me but the city of Pittsburgh. I'm extremely grateful to get out in the community of Pittsburgh and not only play the game but affect other people and kids in that regard, and I'm excited about the whole process of that.
Writers are a loosely knit community - community is an overstated word. Writers don't see each other very much.
In Japan, the writers have made up a literary community, a circle, a society. I think 90 percent of Japan's writers live in Tokyo. Naturally, they make a community. There are groups and customs, and so they are tied up in a way.
I had a country upbringing in a predominantly Maori community, and that contrasted with a very multi-cultured arts community in the Aro Valley in Wellington: growing up around a lot of theatre and poets and writers and stuff.
I was elected to represent the citizens of Pittsburgh, not Paris. It is time to put Youngstown, Ohio; Detroit, Michigan; and Pittsburgh, Pennsylvania; along with many, many other locations within our great country, before Paris, France. It is time to make America great again.
I don't see myself only as a member of the New Orleans community. I see myself as a part of the human community. I see myself as a part of the community that's trying to put things in the world that add value to people's lives.
I enjoy a special collegiality among other writers in the thriller community. They call me Canadas scariest writer, and I love that.
I enjoy a special collegiality among other writers in the thriller community. They call me 'Canada's scariest writer,' and I love that.
I want to bring back the pride and tradition long associated with the Pittsburgh Steelers, and more importantly, with the people of Pittsburgh.
In 1989 I came to New York to go to the School of Visual Arts. Then, after two years, I switched over to the New School for Social Research and did cultural anthropology in the graduate school there.
As writers, our craft makes us sit alone at a desk and hammer away at our novel. Doing that day in and day out makes it really easy to forget that there's a whole community of writers out there, and they love contributing to other writers' success!
One way to get very humble is to dedicate the work you're going to do to your community. And by community I mean that community you have a special vision for, that only you see, that no one else in a room sees. That special community in pain, that through a pain you've suffered, you're able to have that vision, that super-ray vision.
The summer I got to Pittsburgh for graduate school, I house-sat for a Ph.D. student who had a lot of books. One of the books that I found was 'Lolita' by Vladimir Nabokov. That was eye opening. I've probably read it every other year since my 20s.
I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.
Pittsburgh's definitely the city where I learned how to be on a stage, hold a microphone, and interact with an audience. It's where I got my chops as an entertainer and as a performer, so I'm grateful to the queer community there because they are active and vocal and they care about each other.
When I first went to Pittsburgh, I had never been there before, and we hadn't even decided to shoot there yet. I just went to see the location of Michael Chabon's novel. Once there, I became aware that Pittsburgh is a "wonder boy," in the narrow sense of the term, just as the human characters are.
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